![\"Trespass](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Trespass-Trio-+-Joe-McPhee_Human-Encore.jpg\" "\\"\\"")
<\/a>Desde el inicio de su trayectoria Clean Feed ha estado ligado al festival de Coimbra Jazz Ao Centro<\/i>, al que ha dedicado la serie JACC dentro de su cat\u00e1logo. Joe McPhee se une al Trespass Trio en Human Encore<\/i>, grabaci\u00f3n registrada a lo largo de tres d\u00edas en la ciudad portuguesa. En este CD se alternan las composiciones del saxofonista Martin K\u00fcchen con las improvisaciones del cuarteto. Esto motiva una variedad m\u00e1s que disfrutable que van del homenaje en formato free<\/i> al be-bop<\/i> (\u201cA different Koko\u201d), los aromas folkl\u00f3ricos de \u201cIn Our Midst\u201d o \u201cBruder Beda ist nicht mehr\u201d, el free-bop<\/i> a tiempo medio (\u201cA desert on fire, a forest\u201d) o el free<\/i> propulsivo (\u201cCoimbra, Mon Amour\u201d).<\/p>\n\u00a9\u00a0Pachi Tapiz, 2013<\/p>\n
Trespass Trio + Joe McPhee: Human Encore<\/i>\u00a0\u00a0(Clean Feed, 2013) ****<\/p>\n
Publicado en el n\u00famero de verano de 2013 de la revista\u00a0M\u00e1s Jazz<\/em>\u00a0en la rese\u00f1a conjunta\u00a0Clean Feed: en tr\u00edo y en cuarteto<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"Desde el inicio de su trayectoria Clean Feed ha estado ligado al festival de Coimbra Jazz Ao Centro, al que ha dedicado la serie JACC dentro de su cat\u00e1logo. Joe McPhee se une al Trespass Trio en Human Encore, grabaci\u00f3n registrada a lo largo de tres d\u00edas en la ciudadContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8910,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,1577,12696,13,12415,15295,5326,7683,31,16099,77,16100,7682],"class_list":["entry","author-pachi","post-8902","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-clean-feed","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-joe-mcphee","tag-martin-kuchen","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-trepass-trio"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Trespass-Trio-+-Joe-McPhee_Human-Encore.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10163,"url":"https:\/\/tomajazz.com\/web\/joe-mcphee-sonic-elements-for-pocket-trumpet-and-alto-saxophone-clean-feed-2013\/","url_meta":{"origin":8902,"position":0},"title":"Joe McPhee: Sonic Elements (for pocket trumpet and alto saxophone) (Clean Feed, 2013)","author":"Tomajazz","date":"4 febrero, 2014","format":false,"excerpt":"Sonic Elements For pocket trumpet and alto saxophone sirve para que el veterano Joe McPhee homenajee a Ornette Coleman y Don Cherry en esp\u00edritu, frente a esa otra manera de rendir tributo musicalmente que es por medio de realizar versiones. \u201cWind\u201d, \u201cWater\u201d, \u201cEarth\u201d, \u201cFire\u201d y el conocido \u201cOld Eyes\u201d de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Joe McPhee","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Joe-McPhee-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4937,"url":"https:\/\/tomajazz.com\/web\/ingebrigt-haker-flaten-new-york-quartet-now-is-clean-feed-2012\/","url_meta":{"origin":8902,"position":1},"title":"Ingebrigt Haker Flaten New York Quartet: Now Is (Clean Feed, 2012)","author":"Tomajazz","date":"12 febrero, 2013","format":false,"excerpt":"Coincidiendo con su paso por el neoyorkino The Stone, el contrabajista Ingebrigt Haker Flaten (Atomic, The Thing) pas\u00f3 por el estudio Systems Two de Brooklyn para grabar en formato de cuarteto (sin bater\u00eda ni piano) una sesi\u00f3n de improvisaci\u00f3n libre (excepto en su tema \"As If\") en compa\u00f1\u00eda del saxofonista\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/Ingebrigt-H%C3%A5ker-Flaten-New-York-Quartet.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/Ingebrigt-H%C3%A5ker-Flaten-New-York-Quartet.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/Ingebrigt-H%C3%A5ker-Flaten-New-York-Quartet.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2357,"url":"https:\/\/tomajazz.com\/web\/joe-mcphee-ingebrigt-haker-flaten-brooklyn-dna-clean-feed-2012\/","url_meta":{"origin":8902,"position":2},"title":"Joe McPhee – Ingebrigt Haker Flaten: Brooklyn DNA (Clean Feed, 2012)","author":"Tomajazz","date":"16 abril, 2012","format":false,"excerpt":"Brooklyn DNA es un homenaje y reivindicaci\u00f3n del papel de Brooklyn en la historia del jazz. A d\u00fao, Joe McPhee e Ingebrigt Haker Flaten, realizan una sesi\u00f3n de jazz improvisado estructurada en piezas que a pesar de los t\u00edtulos no pretenden ser m\u00fasica program\u00e1tica, pero en las que sin embargo\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-sRVj6k8L6jk\/T4xlXnnTrpI\/AAAAAAAAEeM\/RRJ_Pe8Fyf4\/s200\/mcphee-haker-flaten_brooklyn-dna.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10043,"url":"https:\/\/tomajazz.com\/web\/ingebrigt-haker-flaten-new-york-quartet-now-is-clean-feed-2013\/","url_meta":{"origin":8902,"position":3},"title":"Ingebrigt Haker Flaten New York Quartet: Now Is (Clean Feed, 2013)","author":"Tomajazz","date":"24 enero, 2014","format":false,"excerpt":"Sobre el papel \u00e9ste deber\u00eda de ser un gran disco. Una reuni\u00f3n de voces \u00fanicas, aguerridas y sutiles al mismo tiempo, duchas en la construcci\u00f3n abierta. Uno considera que conoce los inicios del free jazz, que entiende su desarrollo en los 60 en distintas escenas y personalidades,\u00a0 en c\u00f3mo posteriormente\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Gonzalo\u00bb","block_context":{"text":"*_Jes\u00fas Gonzalo","link":"https:\/\/tomajazz.com\/web\/category\/jesus-gonzalo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Ingebrigt-Ha%CC%8Aker-Flaten-New-York-Quartet.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Ingebrigt-Ha%CC%8Aker-Flaten-New-York-Quartet.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Ingebrigt-Ha%CC%8Aker-Flaten-New-York-Quartet.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2234,"url":"https:\/\/tomajazz.com\/web\/clean-feed-cosecha-2012-primera-parte\/","url_meta":{"origin":8902,"position":4},"title":"Clean Feed: cosecha 2012 (Primera parte)","author":"Tomajazz","date":"7 septiembre, 2012","format":false,"excerpt":"El sello portugu\u00e9s Clean Feed sigue poniendo en circulaci\u00f3n, CD tras CD, grabaciones que merecen la pena ser escuchadas con atenci\u00f3n. Entre las \u00faltimas referencias hay tres en tr\u00edo para todos los gustos. Basement Sessions Vol.1 por Jonas Kullhammar (saxos tenor y bar\u00edtono), Torbj\u00f6rn Zetterberg (contrabajo) y Espen Aalberg (bater\u00eda)\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"kullhammar","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/09\/kullhammar.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8901,"url":"https:\/\/tomajazz.com\/web\/made-to-break-provoke-clean-feed-2013\/","url_meta":{"origin":8902,"position":5},"title":"Made To Break: Provoke (Clean Feed, 2013)","author":"Tomajazz","date":"4 noviembre, 2013","format":false,"excerpt":"Con Made To Break el saxofonista Ken Vandermark retoma y a\u00fana las sendas abiertas con Spaceways Inc. (que posteriormente desarroll\u00f3 con Powerhouse Sound) y FME (Free Music Ensemble). Su objetivo en este proyecto es improvisar a partir de unas composiciones modulares en las que los m\u00fasicos tienen la posibilidad de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"clean feed made to break layout TEXTO DIFERENTE - ROJO","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Made-To-Break-Provoke.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8902","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=8902"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8902\/revisions"}],"predecessor-version":[{"id":8911,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8902\/revisions\/8911"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/8910"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=8902"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=8902"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=8902"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}