{"id":896,"date":"2010-11-26T07:14:49","date_gmt":"2010-11-26T05:14:49","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=896"},"modified":"2016-11-13T20:32:36","modified_gmt":"2016-11-13T19:32:36","slug":"tomajazz-recomienda-un-tema-lulus-back-in-town-mel-torme-1956","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-lulus-back-in-town-mel-torme-1956\/","title":{"rendered":"Tomajazz Recomienda… un tema: \u00abLulu’s Back In Town\u00bb (Mel Torm\u00e9, 1956)"},"content":{"rendered":"
\"Mel<\/a>
Mel Torm\u00e9: Lulu's Back In Town<\/figcaption><\/figure>\n

La mitad del siglo pasado fue la edad de oro de los cantantes en EE. UU. Desde Sinatra hasta Nat King Cole, hubo cantidad, calidad y variedad para elegir, pero s\u00f3lo un hombre aunaba musicalidad, jazz, perfecta entonaci\u00f3n y una ejecuci\u00f3n impecable: Mel Torm\u00e9.<\/p>\n

En 1956 Torm\u00e9, en una forma inmejorable, graba dos discos para Bethlehem acompa\u00f1ado por el Dektette de Marty Paich, cuyos arreglos convierten a la voz en instrumento principal de un conjunto que debe mucho a Gerry Mulligan. El primer tema, y hom\u00f3nimo, del primero de ambos discos, \u00abLulu’s Back In Town\u00bb, es una muestra de la interpretaci\u00f3n cuidada y aparentemente sin esfuerzo de Torm\u00e9, con los detalles justos de virtuosismo, como el ampl\u00edsimo pero totalmente afinado vibrato que clava en la \u00abO\u00bb del \u00faltimo \u00abMr. Otis regrets…\u00bb.<\/p>\n

Disponible en:
\n– Mel Torm\u00e9: Lulu’s Back In Town<\/em> (Bethlehem\/Rhino, R2 75732).
\n– Mel Torm\u00e9 and the Marty Paich Dek-tette: The 1956 Torm\u00e9-Paich Legendary Sessions<\/em> (Fresh Sound, FSRCD 2230).<\/p>\n

Esc\u00fachalo en Spotify<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

La mitad del siglo pasado fue la edad de oro de los cantantes en EE. UU. Desde Sinatra hasta Nat King Cole, hubo cantidad, calidad y variedad para elegir, pero s\u00f3lo un hombre aunaba musicalidad, jazz, perfecta entonaci\u00f3n y una ejecuci\u00f3n impecable: Mel Torm\u00e9. En 1956 Torm\u00e9, en una formaContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1320,1467,1715,2073,2131,2293],"class_list":["entry","author-adolphus-van-tenzing","post-896","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-1320","tag-bethlehem","tag-fresh-sound","tag-paich-marty","tag-rhino","tag-torme-mel"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":903,"url":"https:\/\/tomajazz.com\/web\/mel-torme-at-the-crescendo-1954-1957\/","url_meta":{"origin":896,"position":0},"title":"Mel Torm\u00e9 – At The Crescendo 1954 & 1957","author":"Autor1","date":"11 mayo, 2011","format":false,"excerpt":"Los noticiarios comentaban hace unas semanas la pol\u00e9mica sobre la utilizaci\u00f3n de un programa inform\u00e1tico de afinaci\u00f3n en uno de esos shows televisivos en los que se pretende descubrir a las futuras estrellas de la canci\u00f3n. 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