![\"Bryn](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bryn-Roberts-Fables.jpg\" "\\"\\"")
<\/a>Tras algunos a\u00f1os como acompa\u00f1ante de varios m\u00fasicos de la escena neoyorkina, Fables<\/i> supone el tercer disco como l\u00edder del pianista y compositor canadiense Bryn Roberts. Demostrando que es un buen compositor e improvisador, para este disco se ha reunido de buenos colaboradores. En el \u00e1lbum encontramos momentos introspectivos y l\u00edricos, con otros pasajes ciertamente complejos, intensos y muy bien elaborados. Un jazz de buen nivel, equilibrado y sin altibajos.<\/p>\nEl disco lo forman seis composiciones propias de Roberts, junto a un par de standards, <\/i>\u201cIn The Still Of The Night\u201d, de Cole Porter y \u201cGuess I\u00b4ll Hang My Tears Out To Dry\u201d, de Jule Styne and Sammy Cahn.<\/p>\n
Los tres acompa\u00f1antes cumplen su trabajo a la perfecci\u00f3n y muestran su solvencia en todas las facetas. Todos ellos son viejos conocidos de Roberts. Seamus Blake, que ya hab\u00eda participado en sus anteriores trabajos, es un gran baladista y un buen improvisador; Orlando LeFleming, asiduo de Branford Marsalis, Antonio Sanchez o David Sanchez, tiene un toque que parece que no est\u00e1 pero siempre se hace notar, mientras que Johnathan Blake, a la bater\u00eda, se desmarca como lo que es, una de las grandes figuras del momento en Nueva York, colaborador habitual de Tom Harrell, Kenny Barron y Jaleel Shaw.<\/p>\n
Fables<\/i> supone una buena carta de presentaci\u00f3n para Bryn Roberts, donde expone sus dotes para conseguir un jazz bien trabajado, expresivo a veces y reflexivo en otras. Un conjunto de temas atractivos, sabiendo equilibrar los sonidos m\u00e1s cl\u00e1sicos con los m\u00e1s contempor\u00e1neos. Una buena reaparici\u00f3n despu\u00e9s de un tiempo haciendo trabajos en la sombra, pero no por ello menos reconocibles y dignos de valoraci\u00f3n.<\/p>\n
\u00a9\u00a0Carlos Lara, 2013<\/p>\n
Bryn Roberts: Fables<\/em><\/p>\nM\u00fasicos: Bryn Roberts (piano), Seamus Blake (saxo tenor y saxo soprano), Orlando LeFleming (contrabajo) y Johnathan Blake (bater\u00eda).<\/p>\n
Composiciones: \u201cCorlear\u00b4s Hook\u201d, \u201cNightsong\u201d, \u201cCanadian Tuxedo\u201d, \u201cDecember\u201d, \u201cIn The Still Of The Night\u201d, \u201cThe Invention of Writing\u201d, \u201cFables\u201d y \u201cGuess I\u00b4ll Hang My Tears Out To Dry\u201d.
\nTemas compuestos por Bryn Roberts, excepto \u201cIn The Still Of The Night\u201d, por Cole Porter y \u201cGuess I\u00b4ll Hang My Tears Out To Dry\u201d, por Jule Styne and Sammy Cahn.<\/p>\n
Grabado el 12 de diciembre de 2012 en Systems Two Recordings Studios en Brooklyn (Nueva York).<\/p>\n
Editado en 2013 por Nineteen-Eight Records.\u00a019\/8 1030<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Tras algunos a\u00f1os como acompa\u00f1ante de varios m\u00fasicos de la escena neoyorkina, Fables supone el tercer disco como l\u00edder del pianista y compositor canadiense Bryn Roberts. Demostrando que es un buen compositor e improvisador, para este disco se ha reunido de buenos colaboradores. En el \u00e1lbum encontramos momentos introspectivos yContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9055,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849,5,1038],"tags":[7693,84,12651,12696,13,12415,15295,5317,7700,7701,7288,16099,77,16100],"class_list":["entry","author-pachi","post-8975","post","type-post","status-publish","format-standard","has-post-thumbnail","category-carlos-lara","category-grabaciones","category-contenidos","tag-bryn-roberts","tag-carlos-lara","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jonathan-blake","tag-nineteen-eight-records","tag-orlando-lefleming","tag-seamus-blake","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/Bryn-Roberts-Fables_peq.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8964,"url":"https:\/\/tomajazz.com\/web\/bryn-roberts-bogui-jazz-madrid-2013-10-26\/","url_meta":{"origin":8975,"position":0},"title":"Bryn Roberts (Bogui Jazz, Madrid, 2013-10-26)","author":"Sergio Cabanillas","date":"31 octubre, 2013","format":false,"excerpt":"Fecha: 26 de octubre de 2013 Bogui Jazz (Madrid) Grupo: Jaleel Shaw: saxo alto y saxo soprano. Bryn Roberts: piano. Masa Kamaguchi: contrabajo. Johnathan Blake: bater\u00eda. Dentro de una gira que le ha llevado tambi\u00e9n a Valencia, Murcia y Bilbao, Bryn Roberts, pianista canadiense afincado en Nueva York, present\u00f3 en\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Bryn Roberts por Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bryn_roberts_5418_cabanijazz.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":104805,"url":"https:\/\/tomajazz.com\/web\/bill-frisell-in-my-dreams-2026\/","url_meta":{"origin":8975,"position":1},"title":"Bill Frisell: In My Dreams (Blue Note Records; 2026) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 abril, 2026","format":false,"excerpt":"In My Dreams (Blue Note Records; 2026) es el t\u00edtulo de la nueva grabaci\u00f3n de Bill Frisell. Carlos Lara la repasa. 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En el programa del 11 de abril de 2019: E.A.R., Nguyen L\u00ea Quartet, Mat\u00edas Kaplun Quartet,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/UP_AVATAR2.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=8975"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8975\/revisions"}],"predecessor-version":[{"id":8978,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/8975\/revisions\/8978"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/9055"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=8975"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=8975"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=8975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}