{"id":9164,"date":"2013-11-11T11:15:15","date_gmt":"2013-11-11T10:15:15","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=9164"},"modified":"2016-11-13T15:55:22","modified_gmt":"2016-11-13T14:55:22","slug":"tomajazz-recupera-entrevista-con-isabela-de-aranzadi-por-enrique-farelo","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-entrevista-con-isabela-de-aranzadi-por-enrique-farelo\/","title":{"rendered":"Tomajazz recupera&#8230; Entrevista con Isabela de Aranzadi, por Enrique Farelo"},"content":{"rendered":"<figure id=\"attachment_8602\" aria-describedby=\"caption-attachment-8602\" style=\"width: 300px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8602\" rel=\"attachment wp-att-8602\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"8602\" data-permalink=\"https:\/\/tomajazz.com\/web\/entrevista-con-isabela-de-aranzadi-por-enrique-farelo\/libro_isabel_aranzadi\/\" data-orig-file=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/libro_isabel_aranzadi.jpg\" data-orig-size=\"300,245\" data-comments-opened=\"1\" data-image-title=\"libro_isabel_aranzadi\" data-image-description=\"&lt;p&gt;Instrumentos Musicales de las Etnias de Guinea Ecuatorial&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Instrumentos Musicales de las Etnias de Guinea Ecuatorial&lt;\/p&gt;\n\" data-large-file=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/libro_isabel_aranzadi.jpg\" class=\"size-full wp-image-8602\" alt=\"Instrumentos Musicales de las Etnias de Guinea Ecuatorial\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/libro_isabel_aranzadi.jpg\" width=\"300\" height=\"245\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/libro_isabel_aranzadi.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/libro_isabel_aranzadi-150x122.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/libro_isabel_aranzadi-67x55.jpg 67w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-8602\" class=\"wp-caption-text\">Instrumentos Musicales de las Etnias de Guinea Ecuatorial<\/figcaption><\/figure>\n<p align=\"left\">ENRIQUE FARELO: \u00bfQu\u00e9 has pretendido al escribir\u00a0<i>Instrumentos musicales de las etnias de Guinea Ecuatorial<\/i>\u00a0y a quienes va dirigido?<\/p>\n<p align=\"left\">ISABELA DE ARANZADI: Este libro est\u00e1 pensado en primer lugar para los guineanos. Por eso he querido ofrecer un panorama general de las principales etnias y grupos sociales\u00a0 de Guinea Ecuatorial. Todos podr\u00e1n acercarse a las dem\u00e1s culturas y observar caracter\u00edsticas propias y otras muchas en com\u00fan con las dem\u00e1s. Espero contribuir con ello a que \u00a0los etnolocalismos o etnonacionalismos dejen paso al enriquecimiento y puesta en valor de las culturas.<\/p>\n<p align=\"left\">Seguir leyendo:\u00a0<a title=\"Entrevista con Isabela de Aranzadi, por Enrique Farelo\" href=\"http:\/\/www.tomajazz.com\/web\/?p=8599\" target=\"_blank\"><strong>Entrevista con Isabela de Aranzadi, por Enrique Farelo<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ENRIQUE FARELO: \u00bfQu\u00e9 has pretendido al escribir\u00a0Instrumentos musicales de las etnias de Guinea Ecuatorial\u00a0y a quienes va dirigido? ISABELA DE ARANZADI: Este libro est\u00e1 pensado en primer lugar para los guineanos. Por eso he querido ofrecer un panorama general de las principales etnias y grupos sociales\u00a0 de Guinea Ecuatorial. Todos<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-entrevista-con-isabela-de-aranzadi-por-enrique-farelo\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8602,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[17848,78,15537,9,15517,1038,6669],"tags":[304,7584,16099,16100],"class_list":["entry","author-pachi","post-9164","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-enrique-farelo","tag-isabela-de-aranzadi","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8599,"url":"https:\/\/tomajazz.com\/web\/entrevista-con-isabela-de-aranzadi-por-enrique-farelo\/","url_meta":{"origin":9164,"position":0},"title":"Entrevista con Isabela de Aranzadi, por Enrique Farelo","author":"Sergio Cabanillas","date":"23 julio, 2009","format":false,"excerpt":"La hispano-guineana Isabela de Aranzadi (Malabo, capital de Guinea Ecuatorial) es licenciada en Historia y en Sociolog\u00eda (Antropolog\u00eda) por la Universidad Complutense de Madrid, adem\u00e1s de haber obtenido el t\u00edtulo de profesora por el Conservatorio Profesional de M\u00fasica Teresa Berganza de Madrid y ejercer como pianista del grupo de fusi\u00f3n\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Instrumentos Musicales de las Etnias de Guinea Ecuatorial","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/libro_isabel_aranzadi.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":100717,"url":"https:\/\/tomajazz.com\/web\/entrevista-ruben-reinaldo-a-proposito-de-fusion-olivica-2025\/","url_meta":{"origin":9164,"position":1},"title":"Pr\u00f3ximamente&#8230; Entrevista con el guitarrista Rub\u00e9n Reinaldo a prop\u00f3sito de Fusi\u00f3n Ol\u00edvica. 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Con","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/10\/00-Destacada-Trio-Corrente.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/10\/00-Destacada-Trio-Corrente.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/10\/00-Destacada-Trio-Corrente.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/10\/00-Destacada-Trio-Corrente.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100769,"url":"https:\/\/tomajazz.com\/web\/david-hernando-vitores-sandro-bakhuashvili-ccvaldebernardo-2025\/","url_meta":{"origin":9164,"position":3},"title":"David Hernando V\u00edtores &#8211; Sandro Bakhuashvili \u00abHorizontes sonoros\u00bb (Centro Cultural Valdebernardo, Madrid. 2025-10-04) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"20 octubre, 2025","format":false,"excerpt":"David Hernando V\u00edtores - Sandro Bakhuashvili \"Horizontes sonoros\" actuaron en el Centro Cultural Valdebernardo de Madrid, el 4 de octubre de 2025. 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