{"id":9268,"date":"2013-11-18T11:15:20","date_gmt":"2013-11-18T10:15:20","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=9268"},"modified":"2016-11-13T19:06:30","modified_gmt":"2016-11-13T18:06:30","slug":"tomajazz-recomienda-una-reedicion-concerts-bregen-munchen-keith-jarrett-1981","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-reedicion-concerts-bregen-munchen-keith-jarrett-1981\/","title":{"rendered":"Tomajazz recomienda&#8230; una reedici\u00f3n: <i>Concerts. Bregen &#8211; M\u00fcnchen<\/i> (Keith Jarrett, 1981)"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=9269\" rel=\"attachment wp-att-9269\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-9269\" alt=\"Keith Jarrett Concerts Bregenz\/ M\u00fcnchen\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/Keith-Jarrett-Concerts-Bregen-Munchen.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/Keith-Jarrett-Concerts-Bregen-Munchen.jpg 208w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/Keith-Jarrett-Concerts-Bregen-Munchen-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/Keith-Jarrett-Concerts-Bregen-Munchen-55x55.jpg 55w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">La reedici\u00f3n conjunta en formato de triple CD de los conciertos del 28 de mayo de 1981 en Bregenz (Austria), y del 2 de junio del mismo a\u00f1o en Munich (Alemania) de Keith Jarrett son una oportunidad \u00fanica de disfrutar con el pianista en solitario.<\/p>\n<p style=\"text-align: justify;\">Magn\u00edfica la ocasi\u00f3n que se brinda en 2013 a los aficionados al jazz de escuchar dos conciertos tan pr\u00f3ximos en el tiempo. Salvo los temas finales en cada una de ambas citas, que son piezas escritas por Jarrett, las partes iniciales son improvisaciones de las que se sirve para mostrar su enorme capacidad creativa. Teniendo como objetivo la melod\u00eda, las herramientas empleadas en su b\u00fasqueda y construcci\u00f3n son un enorme lirismo y tambi\u00e9n la intensidad.\u00a0Resulta especialmente interesante comparar la estructura de dichas creaciones libres. Diferentes entre s\u00ed, y desarrolladas con una naturalidad asombrosa, son toda una lecci\u00f3n de improvisaci\u00f3n mel\u00f3dica en estado puro.<\/p>\n<p style=\"text-align: justify;\">Para finalizar, tal y como sucede en casi cualquiera de sus conciertos y grabaciones, hay que avisar a quienes \u00a0\u00abdisfrutan\u00bb con la expresividad extrapian\u00edstica de Jarrett sobre el escenario, que aqu\u00ed tienen unas cuantas muestras. Por fortuna, quedan a a\u00f1os luz de las musicales. Algo de lo que dan testimonio los varios minutos de aplausos, m\u00e1s que merecidos, que se recogen en esta reedici\u00f3n.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2013<\/p>\n<p>Keith Jarrett: <em>Concerts -Bregenz \/ M\u00fcnchen<\/em> (3CD. ECM) Reedici\u00f3n en 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La reedici\u00f3n conjunta en formato de triple CD de los conciertos del 28 de mayo de 1981 en Bregenz (Austria), y del 2 de junio del mismo a\u00f1o en Munich (Alemania) de Keith Jarrett son una oportunidad \u00fanica de disfrutar con el pianista en solitario. Magn\u00edfica la ocasi\u00f3n que se<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-reedicion-concerts-bregen-munchen-keith-jarrett-1981\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9269,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,5,1291,1038,1273],"tags":[1342,5366,12651,1663,12696,13,12415,15295,982,16099,77,16100],"class_list":["entry","author-pachi","post-9268","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-grabaciones","category-reedicion","category-contenidos","category-tomajazz-recomienda","tag-1342","tag-adolphus-van-tenzing","tag-cd","tag-ecm","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-keith-jarrett","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/Keith-Jarrett-Concerts-Bregen-Munchen.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2034,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-gnu-high-kenny-wheeler-1975\/","url_meta":{"origin":9268,"position":0},"title":"Tomajazz recomienda&#8230; un disco: Gnu High (Kenny Wheeler, 1975)","author":"Adolphus van Tenzing","date":"28 noviembre, 2011","format":false,"excerpt":"Hay varios motivos que puedan llevar a recomendar Gnu High de Kenny Wheeler. El primero pudiera ser escuchar a Keith Jarrett en un grupo en el que no ejerce de l\u00edder o co-l\u00edder. El segundo motivo podr\u00edan ser los acompa\u00f1antes de Wheeler: Jarrett, y tambi\u00e9n Dave Holland y Jack DeJohnette.\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Kenny Wheeler Gnu High","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/11\/Kenny-Wheeler-Gnu-High-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2012,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-god-bless-the-child-keith-jarrett-1983\/","url_meta":{"origin":9268,"position":1},"title":"Tomajazz recomienda&#8230; un tema: \u00abGod Bless the Child\u00bb (Keith Jarrett, 1983)","author":"Adolphus van Tenzing","date":"13 julio, 2011","format":false,"excerpt":"Si hubiera que elegir un tr\u00edo cl\u00e1sico de jazz (piano, bajo y bater\u00eda) de los \u00faltimos 25 a\u00f1os, posiblemente no ser\u00eda otro que el Standards Trio de Keith Jarrett. Con motivo de la celebraci\u00f3n de su 25 aniversario, ECM ha lanzado una caja titulada Setting Standards - New York Sessions,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/07\/Jarrett-Peacock-DeJohnette_Standards-Vol-1_ECM.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1951,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-voices-gary-peacock-1971\/","url_meta":{"origin":9268,"position":2},"title":"Tomajazz recomienda\u2026 un disco: Voices (Gary Peacock, 1971)","author":"Adolphus van Tenzing","date":"4 febrero, 2011","format":false,"excerpt":"Voices es un disco asombroso. Asombroso por su m\u00fasica. Arte en estado puro que te agarra con las primeras notas de \u201cIshi\u201d y que no te suelta hasta el \u00faltimo instante de \u201cAe.Ay.\u201d Asombroso tambi\u00e9n por los m\u00fasicos que all\u00ed aparecen. 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Hace unos a\u00f1os, all\u00e1 por 2007, Keith Jarrett y Charlie Haden publicaron en ECM Jasmine, una obra que supon\u00eda su reuni\u00f3n m\u00e1s de tres d\u00e9cadas despu\u00e9s de la disoluci\u00f3n del American Quartet. Siete a\u00f1os despu\u00e9s ve la luz Last Dance, obra\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Keith-Jarrett-Charlie-Haden-Last-Dance.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9268","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=9268"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9268\/revisions"}],"predecessor-version":[{"id":9280,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9268\/revisions\/9280"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/9269"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=9268"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=9268"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=9268"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}