Jordi S\u00e1nchez<\/a>, 2013<\/p>\nThe Willie Jones III Sextet Plays The Max Roach Songbook. Live At Dizzy’s Club Coca Cola<\/em>
\nWJ3Records. Publicado en 2013<\/p>\n","protected":false},"excerpt":{"rendered":"\u00c1lbum en vivo grabado el pasado mes de enero de 2013 en el Dizzy’s Club Coca Cola sito en el Lincoln Center de Nueva York. El genial baterista discipulo de monstruos como Philly Joe Jones o Art Blakey le pega un sentido homenaje a la figura de otro de losContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9387,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,1038],"tags":[12651,7831,7824,7823,7830,7827,12696,13,12415,15295,7826,7635,7829,1978,7825,7828,7819,16099,77,16100,7818,7820],"class_list":["entry","author-pachi","post-9386","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-contenidos","tag-cd","tag-cole-porter","tag-dezron-douglas","tag-eric-reed","tag-george-coleman","tag-george-russell","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jeremy-pelt","tag-jordi-sanchez","tag-leon-mitchell","tag-max-roach","tag-stacy-dillard","tag-stanley-cowell","tag-the-willie-jones-iii-sextet","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-willie-jones-iii","tag-wjrecords"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/WJIII-Plays-the-MR-Songbook.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30376,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-mingus-at-the-bohemia-charles-mingus-119-a-new-perspective-07\/","url_meta":{"origin":9386,"position":0},"title":"365 razones para amar el jazz: una portada. 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![\"WJIII](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/WJIII-Plays-the-MR-Songbook.jpg\" "\\"\\"")
<\/a>\u00c1lbum en vivo grabado el pasado mes de enero de 2013 en el Dizzy’s Club Coca Cola sito en el Lincoln Center de Nueva York. El genial baterista discipulo de monstruos como Philly Joe Jones o Art Blakey le pega un sentido homenaje a la figura de otro de los grandes de todos los tiempos como fue Max Roach. Lo acompa\u00f1a un sexteto colosal en el que sobresale un inmenso Eric Reed al piano (ojo con su solo en el tema \u00abLibra\u00bb de Gary Bartz). El resto de m\u00fasicos son Dezron Douglas al bajo, Stacy Dillard en el saxo tenor, y Jeremy Pelt en la trompeta. Siendo un homenaje a Roach lo curioso es que en todo el show<\/em> s\u00f3lo hay dos temas compuestos por el baterista, en concreto, \u00abFreedom day\u00bb del cl\u00e1sico y reivindicativo \u00e1lbum por los derechos civiles titulado We insist! Freedom Now Suite<\/em><\/a> fechado el 1960 y \u00abMr. X. El resto son temas que Max toc\u00f3 pero no compuso. Por ejemplo, ese inicio espectacular de \u00abEzz-Thetic\u00bb de George Russell. En \u00abEquipoise\u00bb de Stanley Cowell el sexteto se relaja sin perder el pulso, al igual que en la bella balada \u00abTo Lady\u00bb escrita por Leon Mitchell y donde la trompeta de Jeremy Pelt suena a las mil maravillas. Willie Jones III termina con un estandar, \u00abI Get a Kick Out Of You\u00bb y \u00abShirley\u00bb de George Coleman y Cole Porter respectivamente. Pese a ser un \u00e1lbum en directo los aplausos y vitores del p\u00fablico son escasos y comedidos y ello pese a la intensidad y pericia de los m\u00fasicos en todo el \u00e1lbum que es digna de elogio y matricula de honor. Y s\u00ed, Willie Jones III est\u00e1 tremendo en todo el trabajo. Uno de los \u00ablive albums\u00bb del a\u00f1o sin lugar a dudas. \u00a1Sensacional!<\/p>\n