{"id":94376,"date":"2025-02-03T12:00:18","date_gmt":"2025-02-03T11:00:18","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=94376"},"modified":"2025-02-03T20:26:41","modified_gmt":"2025-02-03T19:26:41","slug":"tony-levin-bidttb-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tony-levin-bidttb-2025\/","title":{"rendered":"Tony Levin: Bringing It Down to the Bass (Flatiron Recordings 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-94377 size-medium\" title=\"Tony Levin: Bringing It Down to the Bass (Flatiron Recordings 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] Tomajazz Tony Levin Bringing It Down To The Bass Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/02\/Tony-Levin-Bringing-It-Down-To-The-Bass-Tomajazz-300x300.jpg\" alt=\"Tony Levin: Bringing It Down to the Bass (Flatiron Recordings 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Tony Levin: Bringing It Down to the Bass (Flatiron Recordings 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/02\/Tony-Levin-Bringing-It-Down-To-The-Bass-Tomajazz-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/02\/Tony-Levin-Bringing-It-Down-To-The-Bass-Tomajazz-600x597.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/02\/Tony-Levin-Bringing-It-Down-To-The-Bass-Tomajazz-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/02\/Tony-Levin-Bringing-It-Down-To-The-Bass-Tomajazz-465x463.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/02\/Tony-Levin-Bringing-It-Down-To-The-Bass-Tomajazz.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Tony Levin, el bajista, el <em>Stick Man<\/em>, el miembro de King Crimson, Peter Gabriel o Stick Men entre otros, publica <em>Bringing It Down to the Bass<\/em>, un \u00e1lbum de 14 piezas cortas y un ingente n\u00famero de m\u00fasicos destacados como colaboradores. S\u00e9ptimo trabajo bajo su nombre desde el lejano <em>Stick Man<\/em> del a\u00f1o 2007 o el firmado al alim\u00f3n por Levin, Torn, White en el a\u00f1o 2011.<\/p>\n<p><em>Bringing It Down to the Bass<\/em>, es ecl\u00e9ctico, ameno y variado a lo largo de todo el \u00e1lbum y en cada uno de los cortes que lo componen; desde la inicial y hom\u00f3nima \u201cBringing It Down to the Bass\u201d nos topamos con un en\u00e9rgico <em>jazz-rock<\/em> arropado por los metales y los solos de Dominic Miller y Alex Foster, algo que vuelve a encontrar cobijo en la luminosa \u201cEspressoville\u201d o en el relajante y bailable <em>rhythm &amp;blues<\/em> de \u201cMe and My Axe\u201d.<\/p>\n<p><em>Rock<\/em> progresivo tan obsesivo como mel\u00f3dico que recuerda a la banda UK y que se aleja de ella con un estribillo gutural en \u201cRoad Dogs\u201d.<\/p>\n<p>En \u201cUncle Funkster\u201d es la hora de mostrar un dialogo entre Tony Levin y Vinnie Colaiuta en clave <em>funk<\/em>.<\/p>\n<p><em>Riff<\/em> de Tony Levin al bajo <em>stick <\/em>y contundencia de Vinnie Colaiuta en los tambores.<\/p>\n<p>De vuelta al <em>rock<\/em> progresivo de la mano de \u201cBoston Rocks\u201d. Car\u00e1cter <em>crimsoniano<\/em> que se mezcla con el metal y el brillo de la guitarra de Earl Slick.<\/p>\n<p>\u201cGive the Cello Some\u201d es una composici\u00f3n para la expresi\u00f3n lujuriosa del <em>groove<\/em> y el \u00f3rgano de Pete Levin, adem\u00e1s de un gi\u00f1o a la m\u00fasica de concierto con el violonchelo de Tony Levin.<\/p>\n<p>Rompiendo el molde y practicando el humor ir\u00f3nico vocal a capela en \u201cSide B\/Turn It Over\u201d. Una composici\u00f3n en exclusiva donde Tony Levin toca el bajo y canta como lo har\u00edan los <em>The <\/em>Mothers of Invention de Frank Zappa.<\/p>\n<p>\u201cBeyond the Bass Clef\u201d es turbadora, envolvente y bella. <em>Rock<\/em> progresivo lirico y delicado como el terciopelo, enriquecido por el viol\u00edn de L. Shankar y el oboe y el <em>english horn<\/em> de Colin Gatwood.<\/p>\n<p>\u201cBungie Bass\u201d, otra vuelta de tuerca para regresar a King Crimson. Ambientes electrizantes, casi delirantes en clave sosegada de la mano de David Torn, Tony Levin pulsa fuerte y Pat Mastelotto crea tensas atm\u00f3sferas.<\/p>\n<p>\u201cFire Cross the Sky\u201d, el <em>stick<\/em> y la voz, todo es para Tony Levin. Una pieza sensible po\u00e9tico-recitativa, oscura, dram\u00e1tica y minimalista.<\/p>\n<p>En \u201cFloating in Dark Waters\u201d brilla un oscuro contrabajo (Tony Levin), cual paradoja sonora que combina con ambientes <em>frippertronicos<\/em> \u00a0(Robert Fripp) y reverberante percusi\u00f3n. (Jerry Marotta)<\/p>\n<p>\u201cOn the Drums\u201d, un t\u00edtulo evidente para honra y homenaje de un mont\u00f3n de bater\u00edas emblem\u00e1ticos desde la perspectiva vocal de Frank Zappa&amp;The Mothers of Invention y Gentle Giant.<\/p>\n<p>\u201cCoda\u201d, bello y rom\u00e1ntico final, una coda a modo de m\u00fasica orquestal culta, una buc\u00f3lica <em>delicatesen<\/em>.<\/p>\n<p style=\"text-align: right;\">Texto: \u00a9 <strong><a href=\"https:\/\/elescribadeljazz.blogspot.com\/\" target=\"_blank\" rel=\"noopener\">Enrique Farelo<\/a><\/strong>, 2025<\/p>\n<h3>Tony Levin: <em>Bringing It Down to the Bass\u00a0<\/em><\/h3>\n<p>Tony Levin (bajo, violonchelo en 3, 7, 9, 10, <em>Stick<\/em> en 3, 4, 5, 9, 11, Voz en 3, 5, 7, 8, 11, 13 y piano en 14; Manu Katche (bater\u00eda en 1); Jeremy Stacy (bater\u00eda en 3); Vinnie Colaiuta (bater\u00eda 4); Mike Portnoy (bater\u00eda en 5); Steve Gadd (bater\u00eda en 6); Pat Mastelotto (bater\u00eda en 10); Jerry Marotta (bater\u00eda en 2,7, percusi\u00f3n en 12); Dominic Miller (guitarra solo en 1); Steve Hunter (guitarra solo en 2); Earl Slick (guitarra solo en 5); Joe Caro (guitarra solo en 6); David Torn (guitarra solo en 10); Markus Reuter (<em>Bridge rhythm touch guitar<\/em> en 3); Robert Fripp (<em>soundscape<\/em> en 12); Pete Levin (teclados en 1, 3 y 6, \u00f3rgano en 7); Larry Fast (teclados en 2); Gary Husband (teclados en 5, 9); Chris Pasin (trompeta en 1, 6); Josh Shpak (trompeta en 6); Alex Foster (saxo alto en 1); Jay Collins (saxo bar\u00edtono en 1); Don Mikkelsen (tromb\u00f3n en 6); L.Shankar (viol\u00edn en 9); Colin Gatwood (oboe, <em>english horn<\/em> en 9), Linnea Olsson y Bess Brydolf (violonchelo en 14).<\/p>\n<p>1\/ \u201cBringing It Down to the Bass\u201d, 2\/ \u201cMe and My Axe\u201d, 3\/ \u201cRoad Dogs\u201d, 4\/ \u201cUncle Funkster\u201d, 5\/ \u201cBoston Rocks\u201d, 6\/ \u201cEspressoville\u201d, 7\/ \u201cGive the Cello Some\u201d, 8\/ \u201cSide B\/Turn It Over\u201d, 9\/ \u201cBeyond the Bass Clef\u201d, 9\/ \u201cBungie Bass\u201d, 10\/ \u201cFire Cross the Sky\u201d, 11\/ \u201cFloating in Dark Waters\u201d, 12\/ \u201cOn the Drums\u201d, 13\/ \u201cCoda\u201d.<br \/>\nComposiciones de Tony Levin excepto \u201cUncle Funkster\u201d de Vinnie Colaiuta.<\/p>\n<p>Publicado en 2024 por Flatiron Recordings.<\/p>\n<h3>M\u00e1s informaci\u00f3n<\/h3>\n<p><a href=\"https:\/\/tonylevin.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/tonylevin.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=tony+levin&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=tony+levin&amp;submit=Search<\/a><\/p>\n<h4>Enrique Farelo en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enrique Farelo repasa la grabaci\u00f3n de Tony Levin: Bringing It Down to the Bass (Flatiron Recordings 2024)<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tony-levin-bidttb-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":94377,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17848,15517,1038],"tags":[304,31973,6223],"class_list":["entry","author-pachi","has-excerpt","post-94376","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-enrique-farelo","category-textos","category-contenidos","tag-enrique-farelo","tag-flatiron-recordings","tag-tony-levin"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/02\/Tony-Levin-Bringing-It-Down-To-The-Bass-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":103372,"url":"https:\/\/tomajazz.com\/web\/mark-wingfield-the-gathering-2024-vrsn-2026\/","url_meta":{"origin":94376,"position":0},"title":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 enero, 2026","format":false,"excerpt":"The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":99613,"url":"https:\/\/tomajazz.com\/web\/stick-men-swimming-in-tea-2025\/","url_meta":{"origin":94376,"position":1},"title":"Stick Men: Swimming in Tea (Iapetus Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"24 septiembre, 2025","format":false,"excerpt":"Swimming in Tea (Iapetus Records, 2024) es el nuevo EP de Stick Men. Enrique Farelo repasa la grabaci\u00f3n. Con Markus Reuter, Tony Levin, Pat Mastelotto","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Stick Men: Swimming in Tea (Iapetus Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Swimming in Tea (Iapetus Records, 2024) es el nuevo EP de Stick Men. Enrique Farelo repasa la grabaci\u00f3n. Con Markus Reuter, Tony Levin, Pat Mastelotto","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Stick-Men-Swimming-in-Tea-Iapetus-Records-2024-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Stick-Men-Swimming-in-Tea-Iapetus-Records-2024-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Stick-Men-Swimming-in-Tea-Iapetus-Records-2024-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/Stick-Men-Swimming-in-Tea-Iapetus-Records-2024-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":35509,"url":"https:\/\/tomajazz.com\/web\/dominique-vantomme-con-tony-levin-y-michel-delville-vegir-2018-hd-24bit-88-2khz-moonjune-records-2018\/","url_meta":{"origin":94376,"position":2},"title":"Dominique Vantomme con Tony Levin y Michel Delville: Vegir 2018 (Moonjune Records, 2018) [Grabaci\u00f3n]","author":"Tomajazz","date":"8 marzo, 2018","format":false,"excerpt":"Dominique Vantomme es un teclista belga que presenta su primer trabajo en solitario y lo hace de la mano del bajista Tony Levin (Peter Gabriel, King Crimson y Stick Men), el guitarrista Michel Delville (The Wrong Object, Machine Mass y douBt) y el baterista belga Maxime Lessens. El comienzo no\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dominique-Vantomme_Vegir.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dominique-Vantomme_Vegir.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dominique-Vantomme_Vegir.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dominique-Vantomme_Vegir.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dominique-Vantomme_Vegir.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":54926,"url":"https:\/\/tomajazz.com\/web\/stick-men-featuring-gary-husband-owari-moonjune-records-2021-grabacion-de-jazz-por-enrique-farelo\/","url_meta":{"origin":94376,"position":3},"title":"Stick Men Featuring Gary Husband: Owari (Moonjune Records 2021) [Grabaci\u00f3n de jazz] Por Enrique Farelo","author":"Tomajazz","date":"7 junio, 2021","format":false,"excerpt":"Enrique Farelo repasa la grabaci\u00f3n de Stick Men Featuring Gary Husband en directo titulada \"Owari\" y publicada por Moonjune Records.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/06\/Stick-Men-Featuring-Gary-Husband-Owari-Moonjune-records-2020.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":35952,"url":"https:\/\/tomajazz.com\/web\/stick-men-featuring-mel-collins-roppongi-moonjune-records-2017-grabacion\/","url_meta":{"origin":94376,"position":4},"title":"Stick Men Featuring Mel Collins: Roppongi (Moonjune records 2017) [Grabaci\u00f3n]","author":"Tomajazz","date":"5 abril, 2018","format":false,"excerpt":"Stick Men debe su denominaci\u00f3n a Tony Levin y Michael Bernier (miembros fundadores del grupo junto a Pat Mastelotto) y a la inusual instrumentaci\u00f3n de estos m\u00fasicos int\u00e9rpretes del bajo Chapman Stick. 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Stickmen: \u00abLarks&#8217; Tongues in Aspic, Part II\u00bb [Owari (Moonjune Records!, 2021)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"4 agosto, 2021","format":false,"excerpt":"En JazzX5 una versi\u00f3n del cl\u00e1sico de King Crimson \"Larks'Tongues in Aspic, Part II\" por el grupo Stickmen, publicado en la grabaci\u00f3n Owari (MoonJune Records).","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_230.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_230.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_230.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_230.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/94376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=94376"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/94376\/revisions"}],"predecessor-version":[{"id":94424,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/94376\/revisions\/94424"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/94377"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=94376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=94376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=94376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}