{"id":9609,"date":"2013-12-10T11:00:58","date_gmt":"2013-12-10T10:00:58","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=9609"},"modified":"2016-11-13T21:28:29","modified_gmt":"2016-11-13T20:28:29","slug":"tomajazz-recupera-taylor-ho-bynum-caminos-que-se-bifurcan-por-pachi-tapiz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-taylor-ho-bynum-caminos-que-se-bifurcan-por-pachi-tapiz\/","title":{"rendered":"Tomajazz recupera&#8230; Taylor Ho Bynum: caminos que se bifurcan, por Pachi Tapiz"},"content":{"rendered":"<p><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=9610\" rel=\"attachment wp-att-9610\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-9610\" alt=\"taylor_ho_bynum_mary_halvorson_7551\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/taylor_ho_bynum_mary_halvorson_7551.jpg\" width=\"300\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/taylor_ho_bynum_mary_halvorson_7551.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/taylor_ho_bynum_mary_halvorson_7551-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/taylor_ho_bynum_mary_halvorson_7551-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/taylor_ho_bynum_mary_halvorson_7551-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/taylor_ho_bynum_mary_halvorson_7551-120x80.jpg 120w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Taylo Ho Bynum: \u00abUno de mis mayores esfuerzos consiste en intentar mostrar la diversidad de sonidos que componen la m\u00fasica, sin que suene como si fuera como un caj\u00f3n de sastre o como si fu\u00e9semos saltando de estilo en estilo. Mis tres mayores influencias como compositor son Duke Ellington, Charles Ives y Anthony Braxton.\u00bb<\/p>\n<p>Seguir leyendo&#8230; <strong><a title=\"Taylor Ho Bynum: caminos que se bifurcan, por Pachi Tapiz\" href=\"http:\/\/www.tomajazz.com\/web\/?p=9023\">Taylor Ho Bynum: caminos que se bifurcan, por Pachi Tapiz<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Taylo Ho Bynum: \u00abUno de mis mayores esfuerzos consiste en intentar mostrar la diversidad de sonidos que componen la m\u00fasica, sin que suene como si fuera como un caj\u00f3n de sastre o como si fu\u00e9semos saltando de estilo en estilo. Mis tres mayores influencias como compositor son Duke Ellington, Charles<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-taylor-ho-bynum-caminos-que-se-bifurcan-por-pachi-tapiz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9610,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,17850,78,7937,15504,15537,9,15517,1038,6669],"tags":[6637,5584,31,187,7649,16099,16100],"class_list":["entry","author-pachi","post-9609","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-sergio-cabanillas","category-afondo","category-articulo-antiguo","category-articulos-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-duke-ellington","tag-mary-halvorson","tag-pachi-tapiz","tag-sergio-cabanillas","tag-taylor-ho-bynum","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/taylor_ho_bynum_mary_halvorson_7551.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":9023,"url":"https:\/\/tomajazz.com\/web\/taylor-ho-bynum-caminos-que-se-bifurcan-por-pachi-tapiz\/","url_meta":{"origin":9609,"position":0},"title":"Taylor Ho Bynum: caminos que se bifurcan, por Pachi Tapiz","author":"Sergio Cabanillas","date":"2 abril, 2009","format":false,"excerpt":"A pesar de su juventud, Taylor Ho Bynum no debiera ser un m\u00fasico desconocido para algunos aficionados al jazz. En poco m\u00e1s de un a\u00f1o ha visitado dos veces nuestro pa\u00eds como acompa\u00f1ante de Anthony Braxton. En octubre de 2007 visit\u00f3 el escenario del Johnny madrile\u00f1o formando parte del Diamond\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Taylor Ho Bynum Sextet Asphalt Flowers Forking Paths (hatOLOGY 675, 2008)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/taylor_ho_bynum_sextet_asphalt_flowers.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3023,"url":"https:\/\/tomajazz.com\/web\/taylor-ho-bynum-spidermonkey-strings-madeleine-dreams\/","url_meta":{"origin":9609,"position":1},"title":"Taylor Ho-Bynum &amp; SpiderMonkey Strings: Madeleine Dreams","author":"Tomajazz","date":"6 octubre, 2009","format":false,"excerpt":"Uno de los problemas que suelen presentar ciertos m\u00fasicos como Anthony Braxton es su tendencia a eclipsar a los m\u00fasicos que est\u00e1n en su entorno. Tal pudiera ser el caso de Mary Halvorson y Taylor Ho-Bynum, acompa\u00f1antes del veterano maestro del saxof\u00f3n y la composici\u00f3n en la mayor parte de\u2026","rel":"","context":"En \u00abDuke Ellington\u00bb","block_context":{"text":"Duke Ellington","link":"https:\/\/tomajazz.com\/web\/tag\/duke-ellington\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3099,"url":"https:\/\/tomajazz.com\/web\/los-discipulos-y-el-maestro\/","url_meta":{"origin":9609,"position":2},"title":"Los disc\u00edpulos y el maestro","author":"Tomajazz","date":"8 abril, 2009","format":false,"excerpt":"Taylor Ho Bynum y Mary Halvorson (los disc\u00edpulos), y Anthony Braxton (el maestro). La magn\u00edfica fotograf\u00eda de Sergio Cabanillas capta la esencia de la admiraci\u00f3n de los primeros por la figura de su compa\u00f1ero en el escenario, a la vez que maestro. Tras dar estos tres m\u00fasicos con la formaci\u00f3n\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3045,"url":"https:\/\/tomajazz.com\/web\/bill-dixon-un-trompetista-y-compositor-unico-por-partida-triple\/","url_meta":{"origin":9609,"position":3},"title":"Bill Dixon: un trompetista y compositor \u00fanico por partida triple","author":"Tomajazz","date":"4 septiembre, 2009","format":false,"excerpt":"Para los seguidores del trompetista Bill Dixon, hay noticias que vienen desde la discogr\u00e1fica Firehouse 12 Records: el pr\u00f3ximo 17 de noviembre publicar\u00e1 Tapestries for Small Orchestra (FH12-04-03-008). El triple artefacto sonoro incluir\u00e1 dos CD, m\u00e1s un DVD con im\u00e1genes de la grabaci\u00f3n del disco y un documental. La m\u00fasica\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":12127,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-mary-halvorson-de-chicas-y-guitarras-entrevista-por-pachi-tapiz\/","url_meta":{"origin":9609,"position":4},"title":"Tomajazz recupera: Mary Halvorson: de chicas y guitarras. Entrevista por Pachi Tapiz","author":"Tomajazz","date":"16 mayo, 2014","format":false,"excerpt":"MARY HALVORSON: Jimi Hendrix y los Beach Boys fueron mis primeros amores musicales cuando era una ni\u00f1a. A partir de ah\u00ed me interes\u00e9 por el Jazz\u2026 John Coltrane, Miles Davis, Thelonious Monk, Ornette [Coleman], [Charles] Mingus, [Eric] Dolphy y otros. Poco despu\u00e9s escuch\u00e9 al Art Ensemble Of Chicago y a\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Mary Halvorson y Taylor Ho Bynum observando a Anthony Braxton tocar en solitario en el bis del concierto del Diamond Curtain Wall Trio. 26 de octubre de 2007. Auditorio del Colegio Mayor San Juan Evangelista (Madrid). Fotograf\u00eda: \u00a9 Sergio Cabanillas, 2009","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/halvorson_ho_bynum_7551_marca.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2463,"url":"https:\/\/tomajazz.com\/web\/taylor-ho-bynum-sextet-apparent-distance-firehouse-12-records-2011\/","url_meta":{"origin":9609,"position":5},"title":"Taylor Ho Bynum Sextet: Apparent Distance (Firehouse 12 Records, 2011)","author":"Tomajazz","date":"14 diciembre, 2011","format":false,"excerpt":"\u201cOur eyes can fool us in judging size and distance, foreground and background, the very nature of objects in space. These illusory perspectives offer a surreal poetry that sometimes trascend physical reality\u201d \u00a1Prueba conseguida! Taylor Ho Bynum supera con nota los objetivos que detalla en las notas de Apparent Distance.\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-9cEP-tnUs8c\/TufNHepIMOI\/AAAAAAAADyo\/9UZF0m1wDbY\/s200\/taylor%2Bho%2Bbynum%2Bsextet_apparent.gif?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=9609"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9609\/revisions"}],"predecessor-version":[{"id":9611,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9609\/revisions\/9611"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/9610"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=9609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=9609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=9609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}