{"id":9620,"date":"2013-12-12T11:15:02","date_gmt":"2013-12-12T10:15:02","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=9620"},"modified":"2016-11-13T17:17:01","modified_gmt":"2016-11-13T16:17:01","slug":"antonio-bertoni-12-hour-drama-leo-records-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/antonio-bertoni-12-hour-drama-leo-records-2013\/","title":{"rendered":"Antonio Bertoni: <i>1\/2 (h)our drama<\/i> (Leo Records, 2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=9661\" rel=\"attachment wp-att-9661\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-9661 alignleft\" alt=\"Antonio Bertoni half hour drama\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/Antonio-Bertoni-half-hour-drama.jpg\" width=\"200\" height=\"200\" title=\"\"><\/a>Intensidad, intensidad, intensidad desde el primero hasta el \u00faltimo segundo de los casi treinta y siete minutos que dura \u00ab1\/2 (h)our drama\u00bb del contrabajista Antonio Bertoni. Explotando casi por agotamiento la improvisaci\u00f3n en un planteamiento minimalista, Bertoni es capaz de mantener la tensi\u00f3n durante m\u00e1s de media hora sin utilizar en ning\u00fan momento ning\u00fan punto de ruptura. Hipn\u00f3tica, y en cierta manera fractal -de un modo sencillo, nada de la complejidad de algunas de las obras maestras de esta rama de las matem\u00e1ticas-, el trabajo de Bertoni finaliza casi tal y como comenz\u00f3. Peque\u00f1os matices permiten situar eventualmente el punto de desarrollo de la pieza, aunque durante la mayor parte del tiempo resulta casi imposible reconocer si se est\u00e1 en un momento u otro. Con un principio que bien podr\u00eda haber sido un final (o un momento del desarrollo), y un final que bien podr\u00eda haber sido principio, el CD plantea a las claras las posibilidades del sonido per se, de la m\u00fasica reducida a su casi m\u00ednima expresi\u00f3n.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2013<\/p>\n<p style=\"text-align: left;\">Antonio Bertoni: <em>1\/2 (h)our drama<\/em><\/p>\n<p style=\"text-align: left;\">Antonio Bertoni (contrabajo)<\/p>\n<p style=\"text-align: left;\">\u00ab1\/2 (h)our drama\u00bb (Antonio Bertoni)<\/p>\n<p style=\"text-align: left;\">Grabado el 11 de junio de 2013. Publicado por Leo Records en 2013. CD LR 685<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Intensidad, intensidad, intensidad desde el primero hasta el \u00faltimo segundo de los casi treinta y siete minutos que dura \u00ab1\/2 (h)our drama\u00bb del contrabajista Antonio Bertoni. Explotando casi por agotamiento la improvisaci\u00f3n en un planteamiento minimalista, Bertoni es capaz de mantener la tensi\u00f3n durante m\u00e1s de media hora sin utilizar<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/antonio-bertoni-12-hour-drama-leo-records-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9661,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17847,5,1038],"tags":[7941,12651,12696,13,12415,15295,1931,31,16099,77,16100],"class_list":["entry","author-pachi","post-9620","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-antonio-bertoni","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-leo-records","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/Antonio-Bertoni-half-hour-drama.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=9620"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9620\/revisions"}],"predecessor-version":[{"id":9666,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9620\/revisions\/9666"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/9661"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=9620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=9620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=9620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}