{"id":9690,"date":"2013-12-16T11:20:50","date_gmt":"2013-12-16T10:20:50","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=9690"},"modified":"2025-01-15T18:23:10","modified_gmt":"2025-01-15T17:23:10","slug":"pat-metheny-sobre-jim-hall-in-memoriam","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/pat-metheny-sobre-jim-hall-in-memoriam\/","title":{"rendered":"Pat Metheny sobre Jim Hall (In Memoriam)"},"content":{"rendered":"<p>Jim Hall In Memoriam (1930 &#8211; 2013)<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=9691\" rel=\"attachment wp-att-9691\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-9691 alignnone\" alt=\"JIM HALL (\u00a9Joan Cort\u00e8s)-26-set-2004_6FJazz-Auditori de la Merc\u00e8_Girona\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona.jpg\" width=\"600\" height=\"359\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona-150x89.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona-300x179.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona-91x55.jpg 91w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/a><\/p>\n<p>Ted Panken: That\u2019s a good segue to ask you about your duo with Jim Hall (<em>Pat Metheny and Jim Hall<\/em>). You\u2019ve said that along with Wes Montgomery he\u2019s the guitarist who had the biggest impact on you.<\/p>\n<p>Pat Metheny: Definitely. I\u2019ve said this before, that I call him the father of modern jazz guitar, in the sense that all of us \u2014 Frisell, Sco, Mick Goodrick, Abercrombie, especially the five of us \u2014 are all very easily traceable through Jim\u2019s thing, yet at the same time we don\u2019t sound very much like each other.<\/p>\n<p>Extra\u00eddo de <a href=\"http:\/\/tedpanken.wordpress.com\/2011\/08\/12\/interview-from-1999-with-pat-metheny-who-turns-57-today\/\" target=\"_blank\" rel=\"noopener\">http:\/\/tedpanken.wordpress.com\/2011\/08\/12\/interview-from-1999-with-pat-metheny-who-turns-57-today\/<\/a><\/p>\n<p>Fotograf\u00eda: \u00a9 Joan Cort\u00e8s.\u00a0Festival de Jazz de Girona. Auditori de la Merc\u00e8. Girona. 2004-09-26<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jim Hall In Memoriam (1930 &#8211; 2013) Ted Panken: That\u2019s a good segue to ask you about your duo with Jim Hall (Pat Metheny and Jim Hall). You\u2019ve said that along with Wes Montgomery he\u2019s the guitarist who had the biggest impact on you. Pat Metheny: Definitely. I\u2019ve said this<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/pat-metheny-sobre-jim-hall-in-memoriam\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9692,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,78,15504,31927,9,1038],"tags":[4851,979,1041,2080,16099,16100],"class_list":["entry","author-pachi","post-9690","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-afondo","category-articulos-afondo","category-in-memoriam","category-perfiles","category-contenidos","tag-in-memoriam","tag-jim-hall","tag-joan-cortes","tag-pat-metheny","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/JIM-HALL-\u00a9Joan-Cort\u00e8s-26-set-2004_6FJazz-Auditori-de-la-Merc\u00e8_Girona-recorte.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":22993,"url":"https:\/\/tomajazz.com\/web\/pat-metheny-the-way-up-to-maximalism-interview-by-arturo-mora\/","url_meta":{"origin":9690,"position":0},"title":"Pat Metheny: the way up to maximalism. Interview by Arturo Mora","author":"Tomajazz","date":"1 julio, 2005","format":false,"excerpt":"XXV Festival de Jazz de Vitoria-Gasteiz, Espa\u00f1a. \u00a9 Carmen Lluss\u00e0, 2000 On mid-June 2005 the Pat Metheny Group was in the middle of the European leg of their The Way Up world tour.Arturo Mora had the chance to talk to Pat Metheny while the guitarrist was in Nice (France). 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