{"id":9718,"date":"2013-12-17T11:00:23","date_gmt":"2013-12-17T10:00:23","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=9718"},"modified":"2016-11-13T21:28:28","modified_gmt":"2016-11-13T20:28:28","slug":"tomajazz-recupera-antonio-bravo-un-musico-de-presente-y-de-futuro-por-enrique-farelo","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-antonio-bravo-un-musico-de-presente-y-de-futuro-por-enrique-farelo\/","title":{"rendered":"Tomajazz recupera&#8230; Antonio Bravo, un m\u00fasico de presente y de futuro por Enrique Farelo"},"content":{"rendered":"<p><center><figure id=\"attachment_8453\" aria-describedby=\"caption-attachment-8453\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=8453\" rel=\"attachment wp-att-8453\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8453\" alt=\"Antonio Bravo por Sergio Cabanillas\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bravo_1.jpg\" width=\"300\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bravo_1.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bravo_1-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bravo_1-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bravo_1-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bravo_1-120x80.jpg 120w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-8453\" class=\"wp-caption-text\">Antonio Bravo<\/figcaption><\/figure><\/center><\/p>\n<p>ENRIQUE FARELO: \u201cMalabarista\u201d, cierra el disco y, est\u00e1 dedicado a los solistas de jazz. \u00bfAdem\u00e1s de malabaristas, los m\u00fasicos de jazz sois h\u00e9roes rom\u00e1nticos?<\/p>\n<p>ANTONIO BRAVO: El apelativo de h\u00e9roe ha sido totalmente degradado. Normalmente se asigna a militares a los que se les da una medalla despu\u00e9s de matar a un mont\u00f3n de gente. No puedo usar esa palabra. Rom\u00e1nticos, s\u00ed. Hace falta mucho cari\u00f1o para tocar una de las m\u00fasicas m\u00e1s dif\u00edciles y con peor infraestructura comercial. Hace falta ser rom\u00e1ntico y poco ambicioso econ\u00f3micamente.<\/p>\n<p>Leer&#8230;\u00a0<a title=\"Antonio Bravo, un m\u00fasico de presente y de futuro por Enrique Farelo\" href=\"http:\/\/www.tomajazz.com\/web\/?p=8445\" target=\"_blank\"><strong>Antonio Bravo, un m\u00fasico de presente y de futuro por Enrique Farelo<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ENRIQUE FARELO: \u201cMalabarista\u201d, cierra el disco y, est\u00e1 dedicado a los solistas de jazz. \u00bfAdem\u00e1s de malabaristas, los m\u00fasicos de jazz sois h\u00e9roes rom\u00e1nticos? ANTONIO BRAVO: El apelativo de h\u00e9roe ha sido totalmente degradado. Normalmente se asigna a militares a los que se les da una medalla despu\u00e9s de matar<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-antonio-bravo-un-musico-de-presente-y-de-futuro-por-enrique-farelo\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8453,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,17850,78,15537,9,15517,1038,6669],"tags":[6672,304,187,16099,16100],"class_list":["entry","author-pachi","post-9718","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-sergio-cabanillas","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-antonio-bravo","tag-enrique-farelo","tag-sergio-cabanillas","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bravo_1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8445,"url":"https:\/\/tomajazz.com\/web\/antonio-bravo-un-musico-de-presente-y-de-futuro-por-enrique-farelo\/","url_meta":{"origin":9718,"position":0},"title":"Antonio Bravo, un m\u00fasico de presente y de futuro por Enrique Farelo","author":"Sergio Cabanillas","date":"2 octubre, 2007","format":false,"excerpt":"Antonio Bravo es un guitarrista que se ha desarrollado y ha madurado al lado del carism\u00e1tico y creativo Baldo Mart\u00ednez, algo que siempre marca y define. Bravo ha tenido la paciencia del sabio para dar a luz su primer \u00e1lbum, Tangentes, tan esperado como deseado. 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ANTONIO BRAVO: Nos conocimos en el Cuarteto Ac\u00fastico de Baldo Mart\u00ednez.\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"brigada_bravo_diaz_1","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/brigada_bravo_diaz_11.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7070,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-mbm-trio-una-apuesta-por-el-jazz-europeo-desde-galicia-entrevista-por-carlos-lara-y-enrique-farelo\/","url_meta":{"origin":9718,"position":2},"title":"Tomajazz recupera&#8230; MBM Trio: Una apuesta por el jazz europeo desde Galicia. Entrevista por Carlos Lara y Enrique Farelo","author":"Tomajazz","date":"27 junio, 2013","format":false,"excerpt":"Tomajazz recupera... MBM Trio: Una apuesta por el jazz europeo desde Galicia. 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Enrique Farelo lo cuenta. Con Iv\u00e1n \u201cMel\u00f3n\u201d Lewis, Yandy Mart\u00ednez, Georvis Pico","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Iv\u00e1n Mel\u00f3n Lewis \"Luces y Sombras\" (Inauguraci\u00f3n Babylon Jazz Club, Madrid. 2025-12-19) Por Enrique Farelo [Concierto de jazz] - Tomajazz - Iv\u00e1n Mel\u00f3n Lewis present\u00f3 \"Luces y Sombras\" en la inauguraci\u00f3n de Babylon Jazz Club de Madrid, el 19 de diciembre de 2025. 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Enrique Farelo los retrata en INSTANTZZ","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"David Hernando V\u00edtores - Sandro Bakhuashvili \"Horizontes sonoros\" (Centro Cultural Valdebernardo, Madrid. 2025-10-04) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - David Hernando V\u00edtores - Sandro Bakhuashvili \"Horizontes sonoros\" actuaron en el Centro Cultural Valdebernardo de Madrid, el 4 de octubre de 2025. Enrique Farelo los retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9718","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=9718"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9718\/revisions"}],"predecessor-version":[{"id":9722,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9718\/revisions\/9722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/8453"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=9718"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=9718"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=9718"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}