{"id":98781,"date":"2025-09-18T12:30:16","date_gmt":"2025-09-18T10:30:16","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=98781"},"modified":"2025-09-17T22:36:32","modified_gmt":"2025-09-17T20:36:32","slug":"the-hemphill-stringtet-plays-julius-hemphill-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/the-hemphill-stringtet-plays-julius-hemphill-2025\/","title":{"rendered":"The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out Of Your Head Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-99367 size-medium\" title=\"The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out Of Your Head Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] Tomajazz The Hemphill Stringtet Plays the Music of Julius Hemphill Out Of Your Head Records; 2025 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/The-Hemphill-Stringtet-Plays-the-Music-of-Julius-Hemphill-Out-Of-Your-Head-Records-2025-Tomajazz-300x300.jpg\" alt=\"The Hemphill Stringtet: Plays the Music of Julius Hemphill (Out Of Your Head Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/The-Hemphill-Stringtet-Plays-the-Music-of-Julius-Hemphill-Out-Of-Your-Head-Records-2025-Tomajazz-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/The-Hemphill-Stringtet-Plays-the-Music-of-Julius-Hemphill-Out-Of-Your-Head-Records-2025-Tomajazz-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/The-Hemphill-Stringtet-Plays-the-Music-of-Julius-Hemphill-Out-Of-Your-Head-Records-2025-Tomajazz-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/The-Hemphill-Stringtet-Plays-the-Music-of-Julius-Hemphill-Out-Of-Your-Head-Records-2025-Tomajazz-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/The-Hemphill-Stringtet-Plays-the-Music-of-Julius-Hemphill-Out-Of-Your-Head-Records-2025-Tomajazz-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/The-Hemphill-Stringtet-Plays-the-Music-of-Julius-Hemphill-Out-Of-Your-Head-Records-2025-Tomajazz-500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/The-Hemphill-Stringtet-Plays-the-Music-of-Julius-Hemphill-Out-Of-Your-Head-Records-2025-Tomajazz.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>La publicaci\u00f3n de <em>The Hemphill Stringtet Plays the Music of Julius Hemphill<\/em> en 2025 marca un hito en la recuperaci\u00f3n del legado de <strong>Julius Hemphill<\/strong>, compositor y saxofonista cuya obra ha influido profundamente en el <strong>jazz contempor\u00e1neo<\/strong> y la <strong>m\u00fasica improvisada<\/strong>.<\/p>\n<p>Su legado como compositor y saxofonista ha sido reivindicado por agrupaciones como el\u00a0<strong>World Saxophone Quartet<\/strong>, el\u00a0<strong>Julius Hemphill Saxophone Sextet<\/strong>\u00a0y, m\u00e1s recientemente, por el cuarteto de cuerdas improvisador\u00a0<strong>The Hemphill Stringtet<\/strong>, que en 2025 publica <em>The Hemphill Stringtet: Plays the Music of Julius Hemphill<\/em>. Este disco, editado por <strong>Out Of Your Head Records <\/strong>(uno de los sellos m\u00e1s interesantes de la actualidad), re\u00fane a <strong>Curtis Stewart<\/strong> y <strong>Sam Bardfeld<\/strong> en los violines, <strong>Stephanie Griffin<\/strong> en la viola y <strong>Tomeka Reid<\/strong> en el violonchelo.<\/p>\n<p>El repertorio se divide en dos bloques. El primero, <strong>Mingus Gold<\/strong>, es una suite compuesta por <strong>Hemphill<\/strong> en 1988 a partir de tres piezas de <strong>Charles Mingus<\/strong>: \u00abNostalgia in Times Square\u00bb, \u00abAlice in Wonderland\u00bb y \u00abBetter Git Hit in Your Soul\u00bb. Estas obras, encargadas por el <strong>Kronos Quartet<\/strong> pero nunca grabadas por ellos, encuentran aqu\u00ed su primera versi\u00f3n de estudio, tras una \u00fanica grabaci\u00f3n en vivo por el <strong>Daedalus Quartet<\/strong>.<\/p>\n<p>El segundo bloque incluye cuatro composiciones escritas originalmente para el <strong>World Saxophone Quartet<\/strong>, adaptadas para cuerdas por <strong>Marty Ehrlich<\/strong>. Estas piezas, como \u00abRevue\u00bb y \u00abChoo Choo\u00bb, permiten al cuarteto explorar la polifon\u00eda improvisada que caracteriz\u00f3 al <strong>WSQ<\/strong>, pero desde una sonoridad camer\u00edstica que revela nuevas texturas y din\u00e1micas.<\/p>\n<p>La interpretaci\u00f3n del cuarteto es sobresaliente. En \u00abRevue\u00bb, los acordes lentos se transforman en l\u00edneas paralelas que evocan la escritura de <strong>Duke Ellington<\/strong>, mientras que los solos individuales emergen con naturalidad desde la improvisaci\u00f3n colectiva. En \u00abAlice in Wonderland\u00bb, el solo de cello de <strong>Tomeka Reid<\/strong> destaca por su lirismo y profundidad, mientras que en \u00abBetter Git Hit in Your Soul\u00bb, los violines de <strong>Stewart<\/strong> y <strong>Bardfeld<\/strong> se entrelazan en un d\u00fao improvisado sobre una base r\u00edtmica s\u00f3lida de viola y cello.<\/p>\n<p>El disco no solo reivindica la figura de <strong>Hemphill<\/strong>, sino que propone una nueva forma de interpretar su m\u00fasica, integrando la <strong>improvisaci\u00f3n afroamericana<\/strong> en el formato de cuarteto de cuerdas. Esta aproximaci\u00f3n, cercana al esp\u00edritu de <strong>Hemphill<\/strong> y su colaborador <strong>Abdul Wadud<\/strong>, permite redescubrir obras conocidas desde una perspectiva fresca y profundamente musical.<\/p>\n<p>La grabaci\u00f3n fue realizada por <strong>Ryan Streber<\/strong> en <strong>Oktaven Audio<\/strong>, con masterizaci\u00f3n de <strong>Paul Zinman<\/strong> y dise\u00f1o gr\u00e1fico de <strong>TJ Huff<\/strong>.<\/p>\n<p>El resultado es una obra coherente, vibrante y necesaria, que sit\u00faa a <strong>Hemphill<\/strong> en el lugar que merece dentro del canon de la <strong>m\u00fasica contempor\u00e1nea<\/strong>.<\/p>\n<p style=\"text-align: right;\"><em>\u00a9\u00a0<strong>Pachi\u00a0\u201cCaz\u00f3 pitch a Hip Hop Lit Jazz: Julius Hemphill Stringtet Topical\u201d\u00a0Tapiz<\/strong>, 2025<\/em><\/p>\n<h3>The Hemphill Stringtet: <em>Plays the Music of Julius Hemphill<\/em><\/h3>\n<p><strong>Curtis Stewart<\/strong> (viol\u00edn); <strong>Sam Bardfeld<\/strong> (viol\u00edn); <strong>Stephanie Griffin<\/strong> (viola); <strong>Tomeka Reid<\/strong> (violonchelo)<\/p>\n<p>1 \u00abRevue\u00bb (Julius Hemphill) 7:44 2 \u00abMingus Gold: Nostalgia in Times Square\u00bb (Charles Mingus, arr. Hemphill) 4:43 3 \u00abMingus Gold: Alice in Wonderland\u00bb (Charles Mingus, arr. Hemphill) 7:51 4 \u00abMingus Gold: Better Get Hit in Your Soul\u00bb (Charles Mingus, arr. Hemphill) 7:31 5 \u00abMy First Winter\/Touchic\u00bb (Julius Hemphill) 12:10 6 \u00abChoo Choo\u00bb (Julius Hemphill) 5:46<\/p>\n<p>Grabado en <strong>Oktaven Audio<\/strong>. T\u00e9cnico de grabaci\u00f3n <strong>Ryan Streber<\/strong>. Masterizado por <strong>Paul Zinman<\/strong> (Soundbyte Productions). Productor <strong>Adam Hopkins<\/strong>. Dise\u00f1o gr\u00e1fico <strong>TJ Huff<\/strong>. Fotograf\u00eda de portada <strong>Nina Contini Melis<\/strong>.<\/p>\n<h3><strong>Informaci\u00f3n sobre Julius Hemphill<\/strong><\/h3>\n<p><strong>Julius Hemphill<\/strong> naci\u00f3 en 1938 y falleci\u00f3 en 1995. Fue saxofonista, compositor y fundador del <strong>World Saxophone Quartet<\/strong>. Su estilo combinaba el <strong>blues<\/strong>, la <strong>m\u00fasica contempor\u00e1nea<\/strong> y la <strong>improvisaci\u00f3n libre<\/strong>. Entre sus grabaciones m\u00e1s recomendables se encuentran <em>Dogon A.D.<\/em> (1972), <em>Coon Bid\u2019ness<\/em> (1975), <em>Live from the New Music America Festival<\/em> (1980, con WSQ) y <em>Fat Man and the Hard Blues<\/em> (1991).<\/p>\n<h3>M\u00e1s informaci\u00f3n sobre\u00a0The Hemphill Stringtet \u00a0y Out Of Your Head REcords<\/h3>\n<p><a href=\"https:\/\/outofyourheadrecords.bandcamp.com\/album\/the-hemphill-stringtet-plays-the-music-of-julius-hemphill\" target=\"_blank\" rel=\"noopener\">https:\/\/outofyourheadrecords.bandcamp.com\/album\/the-hemphill-stringtet-plays-the-music-of-julius-hemphill<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=hemphill+stringtet&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=hemphill+stringtet&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/www.outofyourheadrecords.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.outofyourheadrecords.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=ot+of+your+head&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=ot+of+your+head&amp;submit=Search<\/a><\/p>\n<h3>Pachi Tapiz en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17847\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17847<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Hemphill Stringtet Plays the Music of Julius Hemphill (Out Of Your Head Records; 2025). Pachi Tapiz revisa la obra que reivindica el legado de Julius Hemphill y tambi\u00e9n el de Charles Mingus. Con Curtis Stewart, Sam Bardfeld, Stephanie Griffin, Tomeka Reid <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/the-hemphill-stringtet-plays-julius-hemphill-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":99367,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[1556,32563,5689,32491,23086,17418,32562,13951],"class_list":["entry","author-pachi","has-excerpt","post-98781","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-charles-mingus","tag-curtis-stewart","tag-julius-hemphill","tag-out-of-your-head-records","tag-sam-bardfeld","tag-stephanie-griffin","tag-the-hemphill-stringtet","tag-tomeka-reid"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/The-Hemphill-Stringtet-Plays-the-Music-of-Julius-Hemphill-Out-Of-Your-Head-Records-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":94359,"url":"https:\/\/tomajazz.com\/web\/tim-berne-yikes-too-2025-cd\/","url_meta":{"origin":98781,"position":0},"title":"Tim Berne &#8211; Tom Rainey &#8211; Gregg Belisle-Chi: Yikes Too (2CD. Out Of Your Head &#8211; Screwgun Records, 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"7 febrero, 2025","format":false,"excerpt":"Yikes Too (2CD. Out Of Your Head - Screwgun Records, 2025) es la nueva grabaci\u00f3n de Tim Berne - Tom Rainey - Gregg Belisle-Chi. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Tim Berne - Tom Rainey - Gregg Belisle-Chi: Yikes Too (2CD. Out Of Your Head - Screwgun Records, 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Yikes Too (2CD. Out Of Your Head - Screwgun Records, 2025) es la nueva grabaci\u00f3n de Tim Berne - Tom Rainey - Gregg Belisle-Chi. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/Tim-Berne-Tom-Rainey-Gregg-Belisle-Chi-Yikes-Too-2CD-Out-Of-Your-Head-Screwgun-Records-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/Tim-Berne-Tom-Rainey-Gregg-Belisle-Chi-Yikes-Too-2CD-Out-Of-Your-Head-Screwgun-Records-2025.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/Tim-Berne-Tom-Rainey-Gregg-Belisle-Chi-Yikes-Too-2CD-Out-Of-Your-Head-Screwgun-Records-2025.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/Tim-Berne-Tom-Rainey-Gregg-Belisle-Chi-Yikes-Too-2CD-Out-Of-Your-Head-Screwgun-Records-2025.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5311,"url":"https:\/\/tomajazz.com\/web\/julius-hemphill-the-complete-remastered-recordings-on-black-saint-and-soul-note-cam-jazz-2012\/","url_meta":{"origin":98781,"position":1},"title":"Julius Hemphill: The Complete Remastered Recordings On Black Saint and Soul Note (Cam Jazz, 2012)","author":"Tomajazz","date":"6 marzo, 2013","format":false,"excerpt":"Cam Jazz, tras hacerse con el cat\u00e1logo de los sellos\u00a0Black Saint y Soul Note\u00a0(creados en Italia por Giovanni Bonandrini)\u00a0sigue poni\u00e9ndolos en circulaci\u00f3n por medio de las cajas tituladas gen\u00e9ricamente The Complete Remastered Recordings On Black Saint & Soul Note a nombre del m\u00fasico correspondiente. En el caso de la dedicada\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"julius hemphill_the complete remastered recordings on black saint and soul note","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/julius-hemphill_the-complete-remastered-recordings-on-black-saint-and-soul-note.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2991,"url":"https:\/\/tomajazz.com\/web\/marty-ehrlich-rites-quartet-things-have-got-to-change\/","url_meta":{"origin":98781,"position":2},"title":"Marty Ehrlich Rites Quartet. Things Have Got To Change","author":"Tomajazz","date":"5 noviembre, 2009","format":false,"excerpt":"Entre las \u00faltimas referencias publicadas por Clean Feed destaca Things Have Got To Change. Son tres sus protagonistas principales. El primero es el saxofonista Marty Ehrlich, titular de la formaci\u00f3n, magn\u00edfico instrumentista y autor de la mayor\u00eda de las composiciones. El segundo es el chelista Erik Friedlander que se encuentra\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":56741,"url":"https:\/\/tomajazz.com\/web\/jazzx5255-the-julius-hemphill-sextet-the-hard-blues-fat-man-and-the-hard-blues-black-saint-1991-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":98781,"position":3},"title":"JazzX5#255. The Julius Hemphill Sextet: \u00abThe Hard Blues\u00bb [Fat Man And The Hard Blues (Black Saint, 1991)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"28 agosto, 2021","format":false,"excerpt":"En JazzX5 el tema \"The Hard Blues\" de Julius Hemphill interpretado por un sexteto de saxofonistas que se publicaba en el disco Fat Man And The Hard Blues (Black Saint, 1991).","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_255.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_255.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_255.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_255.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1168,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-c-m-e-julius-hemphill-1977\/","url_meta":{"origin":98781,"position":4},"title":"Tomajazz recomienda&#8230; un tema: \u00abC.M.E.\u00bb (Julius Hemphill, 1977)","author":"Adolphus van Tenzing","date":"7 febrero, 2011","format":false,"excerpt":"En el a\u00f1o 1988 el saxofonista Tim Berne reeditaba en su discogr\u00e1fica Screwgun Records el doble LP Blue Boy\u00e9 que su mentor, el gran Julius Hemphill, public\u00f3 en 1977. En una de sus mejores grabaciones Hemphill se enfrentaba en solitario a la tarea de interpretar sus composiciones utilizando los saxos\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\"C.M.E\". Julius Hemphill. Blue Boy\u00e9. 1977 reed. 1988","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/02\/blue_boye_i.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1926,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-maze-tim-berne-1992\/","url_meta":{"origin":98781,"position":5},"title":"Tomajazz recomienda&#8230; un tema: \u00abThe Maze\u00bb (Tim Berne, 1992)","author":"Adolphus van Tenzing","date":"10 diciembre, 2010","format":false,"excerpt":"En el a\u00f1o 1992 el saxofonista Tim Berne editaba un disco homenajeando a su maestro y mentor Julius Hemphill. Diminituve Mysteries (Mostly Hemphill), recog\u00eda siete temas de Hemphill y una composici\u00f3n propia, \"The Maze\". En \u00e9sta, un septeto de m\u00fasicos en el que se inclu\u00eda lo m\u00e1s granado del downtown\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\"The Maze\" (Tim Berne, Diminituve Mysteries (Mostly Hemphill), 1992)","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/11\/berne_diminutivemysteries.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/98781","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=98781"}],"version-history":[{"count":7,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/98781\/revisions"}],"predecessor-version":[{"id":99372,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/98781\/revisions\/99372"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/99367"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=98781"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=98781"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=98781"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}