{"id":98958,"date":"2025-09-18T17:30:05","date_gmt":"2025-09-18T15:30:05","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=98958"},"modified":"2025-10-05T12:36:14","modified_gmt":"2025-10-05T10:36:14","slug":"noah-preminger-ballads-chill-tone-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/noah-preminger-ballads-chill-tone-2025\/","title":{"rendered":"Noah Preminger: Ballads (Chill Tone; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p>El saxofonista <strong>Noah Preminger<\/strong> ha construido una carrera marcada por la diversidad estil\u00edstica y la b\u00fasqueda constante de nuevos lenguajes. Desde sus d\u00faos experimentales con <strong>Kim Cass<\/strong> (<em>THUNDA<\/em>, <em>The Dank<\/em>) hasta sus incursiones en el blues del Delta (<em>Dark Was the Night, Cold Was the Ground<\/em>), Preminger ha demostrado una inquietud art\u00edstica que lo aleja de cualquier zona de confort. Con <em>Ballads<\/em>, sin embargo, el m\u00fasico neoyorquino decide detenerse, respirar y explorar la belleza.<\/p>\n<p>Grabado en septiembre de 2024 y publicado en febrero de 2025 por el sello <strong>Chill Tone<\/strong>, <em>Ballads<\/em> es una obra que se inscribe en la tradici\u00f3n de los discos de baladas en el jazz, con referencias expl\u00edcitas al <em>Ballads<\/em> de <strong>John Coltrane<\/strong>. Pero lejos de ser un ejercicio nost\u00e1lgico, el \u00e1lbum se presenta como una afirmaci\u00f3n contempor\u00e1nea de la vigencia del lirismo en el jazz.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-99399 size-medium\" title=\"Noah Preminger: Ballads (Chill Tone; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] Tomajazz noah preminger ballads chill tone 2025 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/noah-preminger-ballads-chill-tone-2025-Tomajazz-300x300.jpg\" alt=\"Noah Preminger: Ballads (Chill Tone; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Ballads (Chill Tone; 2025) es la nueva grabaci\u00f3n de Noah Preminger. Pachi Tapiz repasa la grabaci\u00f3n. Con\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/noah-preminger-ballads-chill-tone-2025-Tomajazz-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/noah-preminger-ballads-chill-tone-2025-Tomajazz-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/noah-preminger-ballads-chill-tone-2025-Tomajazz-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/noah-preminger-ballads-chill-tone-2025-Tomajazz-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/noah-preminger-ballads-chill-tone-2025-Tomajazz-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/noah-preminger-ballads-chill-tone-2025-Tomajazz-500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/noah-preminger-ballads-chill-tone-2025-Tomajazz.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>El cuarteto que acompa\u00f1a a Preminger \u2014<strong>Julian Shore<\/strong> (piano), <strong>Kim Cass<\/strong> (contrabajo) y <strong>Allan Mednard<\/strong> (bater\u00eda)\u2014 ofrece una interpretaci\u00f3n delicada y cohesionada, donde cada m\u00fasico aporta al clima introspectivo sin perder su voz individual. Shore, en particular, brilla en sus solos contenidos, mientras que Cass y Mednard construyen una base r\u00edtmica que respira y se adapta con elegancia a cada tema y a sus compa\u00f1eros.<\/p>\n<p>La selecci\u00f3n de repertorio es uno de los puntos fuertes del disco. \u00abStan\u2019s Mood\u00bb, una joya olvidada de Alvin Cohn, abre el \u00e1lbum con una melancol\u00eda serena. \u00abCarry Me Ohio\u00bb, de Mark Kozelek, introduce un elemento inesperado: una canci\u00f3n indie-folk transformada en balada jazz\u00edstica, que Preminger vincula emocionalmente con su hijo, a quien le tocaba la pieza durante el embarazo. \u00abSomeone to Watch Over Me\u00bb, el cl\u00e1sico de George Gershwin, cierra el disco con una interpretaci\u00f3n que comienza como d\u00fao entre saxof\u00f3n y contrabajo, y\u00a0 que se mueve por terrenos on\u00edricos.<\/p>\n<p>Las composiciones originales de Preminger revelan una gran sensibilidad. \u00abUnfair World\u00bb transmite una tristeza contenida, pero sin dejar por ello un hueco a la esperanza. \u00abDemocracy\u00bb es una pieza elegante, con ecos de Ellington y Gordon, mientras que \u00abIn Our 20s\u00bb evoca la nostalgia de la juventud. \u00abPneu\u00bb, por su parte, destaca por su estructura hipn\u00f3tica y con un di\u00e1logo r\u00edtmico entre Cass y Mednard, que va incrementando su intensidad.<\/p>\n<p>La producci\u00f3n del disco es otro elemento a destacar, pues el sonido est\u00e1 a la altura de la propuesta est\u00e9tica.<\/p>\n<p><em>Ballads<\/em> no es solo un disco de baladas: es una declaraci\u00f3n de amor al jazz como veh\u00edculo de expresi\u00f3n emocional. Preminger, influenciado por figuras como <strong>Coltrane<\/strong>, <strong>Joe Lovano<\/strong>, <strong>Michael Brecker<\/strong> y sus maestros <strong>David Liebman<\/strong> y <strong>George Garzone<\/strong>, se suma a esa tradici\u00f3n con una voz propia, madura y conmovedora.<\/p>\n<p style=\"text-align: right;\"><em>\u00a9\u00a0<strong>Pachi \u201cChill Poetic Jazz Panogram\u201d Tapiz<\/strong>, 2025<\/em><\/p>\n<hr \/>\n<h3>Noah Preminger: <em>Ballads<\/em><\/h3>\n<p><strong>Noah Preminger<\/strong> (saxo tenor); <strong>Julian Shore<\/strong> (piano); <strong>Kim Cass<\/strong> (contrabajo); <strong>Allan Mednard<\/strong> (bater\u00eda).<\/p>\n<p>1 \u00abStan\u2019s Mood\u00bb (Alvin Cohn) 4:43 2 \u00abCarry Me Ohio\u00bb (Mark Kozelek) 3:54 3 \u00abUnfair World\u00bb (Noah Preminger) 5:24 4 \u00abIn Our 20s\u00bb (Noah Preminger) 6:18 5 \u00abDemocracy\u00bb (Noah Preminger) 5:32 6 \u00abPneu\u00bb (Noah Preminger) 6:37 7 \u00abSomeone to Watch Over Me\u00bb (George Gershwin) 5:16.<\/p>\n<p>Grabado en Spin Recording Studio, Long Island City, NY, el 18 de septiembre de 2024. T\u00e9cnico de grabaci\u00f3n Chris Leon. Asistente de grabaci\u00f3n Linds Cadwell. Mezclado y masterizado por Chris Leon en The Vesper Room, Nashville, TN. Productor Noah Preminger. Producci\u00f3n ejecutiva Chris Leon, Andrew Horowitz, Coyle Girelli.<\/p>\n<hr \/>\n<h3>Curiosidades sobre\u00a0<em>Ballads<\/em><\/h3>\n<p>El tema \u00abCarry Me Ohio\u00bb fue elegido por Preminger por su v\u00ednculo emocional con su hijo, a quien le tocaba la canci\u00f3n durante el embarazo.<\/p>\n<hr \/>\n<h3>Informaci\u00f3n sobre\u00a0Noah Preminger<\/h3>\n<p><strong>Noah Preminger<\/strong> (n. 1986) es un saxofonista tenor con una trayectoria diversa y prol\u00edfica. Ha grabado cerca de veinte discos como l\u00edder, explorando desde el jazz tradicional hasta la m\u00fasica electr\u00f3nica y la poes\u00eda. Entre sus grabaciones destacadas se encuentran <em>Meditations On Freedom<\/em>, <em>Preminger Plays Preminger<\/em>, <em>Contemptment<\/em>, <em>Sky Continuous<\/em>, y sus d\u00faos con <strong>Kim Cass<\/strong> (<em>THUNDA<\/em>, <em>The Dank<\/em>). Ha colaborado con figuras como <strong>Jason Moran<\/strong>, <strong>Dave Holland<\/strong>, <strong>Fred Hersch<\/strong>, <strong>Joe Lovano<\/strong> y <strong>Roscoe Mitchell<\/strong>. Es profesor en <strong>Longy School of Music<\/strong> y toca regularmente en <strong>Wally\u2019s Jazz Club<\/strong> (Boston).<\/p>\n<hr \/>\n<h3>M\u00e1s informaci\u00f3n sobre Noah Preminger y Chill Tone<\/h3>\n<p><a href=\"https:\/\/www.noahpreminger.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.noahpreminger.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=noah+preminger&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=noah+preminger&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/chilltone.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/chilltone.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=chill+tone&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=chill+tone&amp;submit=Search<\/a><\/p>\n<h3>Pachi Tapiz en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17847\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17847<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ballads (Chill Tone; 2025) es la nueva grabaci\u00f3n de Noah Preminger. Pachi Tapiz repasa la grabaci\u00f3n. Con Noah Preminger, Julian Shore, Kim Cass, Allan Mednard<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/noah-preminger-ballads-chill-tone-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":99399,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[26569,32566,1056,14247,1061],"class_list":["entry","author-pachi","has-excerpt","post-98958","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-allan-mednard","tag-chill-tone","tag-julian-shore","tag-kim-cass","tag-noah-preminger"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/09\/noah-preminger-ballads-chill-tone-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":103064,"url":"https:\/\/tomajazz.com\/web\/noah-preminger-dark-days-2025\/","url_meta":{"origin":98958,"position":0},"title":"Noah Preminger: Dark Days (Criss Cross Jazz; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"29 diciembre, 2025","format":false,"excerpt":"Dark Days (Criss Cross Jazz; 2025) es lo nuevo de Noah Preminger. Carlos Lara repasa la grabaci\u00f3n. Con Noah Preminger, Ely Perlman, Kim Cass, Terreon Gully","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Noah Preminger: Dark Days (Criss Cross Jazz; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Dark Days (Criss Cross Jazz; 2025) es lo nuevo de Noah Preminger. Carlos Lara repasa la grabaci\u00f3n. Con Noah Preminger, Ely Perlman, Kim Cass, Terreon Gully","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Noah-Preminger-Dark-Days-Criss-Cross-Jazz-2025.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Noah-Preminger-Dark-Days-Criss-Cross-Jazz-2025.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Noah-Preminger-Dark-Days-Criss-Cross-Jazz-2025.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Noah-Preminger-Dark-Days-Criss-Cross-Jazz-2025.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":20667,"url":"https:\/\/tomajazz.com\/web\/noah-preminger-pivot-live-at-the-55-bar-autoproducido-2015-cd\/","url_meta":{"origin":98958,"position":1},"title":"Noah Preminger: Pivot: Live at the 55 Bar (Autoproducido, 2015; CD)","author":"Tomajazz","date":"5 noviembre, 2015","format":false,"excerpt":"Pivot: Live at the 55 Bar es uno de esos conciertos que a un servidor, como aficionado al jazz, le gustar\u00eda disfrutar. Da lo mismo en un club -mediano, grande o peque\u00f1o-, o en un gran escenario, aunque la cercan\u00eda posiblemente actuase\u00a0como catalizador del disfrute. La grabaci\u00f3n incluye un par\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Noah Preminger_Pivot Live at the 55 bar_self released_2015","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Noah-Preminger_Pivot-Live-at-the-55-bar_self-released_2015-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":24010,"url":"https:\/\/tomajazz.com\/web\/hdo-107-brian-groder-trio-noah-preminger-naftules-dream-trio-berlin-aum-grand-ensemble-podcast\/","url_meta":{"origin":98958,"position":2},"title":"HDO 107. Brian Groder Trio, Noah Preminger, Naftule\u2019s Dream, Trio Berlin, AUM Grand Ensemble. [Podcast]","author":"Tomajazz","date":"6 mayo, 2016","format":false,"excerpt":"Cinco propuestas bien variadas en dos bloques en la entrega 107 de HDO. El Brian Groder Trio es un tr\u00edo potente de trompeta, contrabajo y bater\u00eda que en R Train on the D Line mira hacia el free-bop.En Was The Night, Cold Was The Ground Noah Preminger, al igual que\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Noah-Preminger_Dark-Was-The-Night-Cold-Was-The-Ground_autoeditado_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Noah-Preminger_Dark-Was-The-Night-Cold-Was-The-Ground_autoeditado_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Noah-Preminger_Dark-Was-The-Night-Cold-Was-The-Ground_autoeditado_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Noah-Preminger_Dark-Was-The-Night-Cold-Was-The-Ground_autoeditado_2016.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":29631,"url":"https:\/\/tomajazz.com\/web\/hdo-244-ross-hammond-mopdtk-noah-preminger-miguel-zenon-rich-halley-carson-halley-podcast\/","url_meta":{"origin":98958,"position":3},"title":"HDO 244. Ross Hammond, MOPDTK, Noah Preminger, Miguel Zenon, Rich Halley &#8211; Carson Halley [Podcast]","author":"Tomajazz","date":"8 marzo, 2017","format":false,"excerpt":"El precioso disco a guitarra sola de Ross Hammond,\u00a0Follow Your Heart (Autoedici\u00f3n, 2017)\u00a0abre la edici\u00f3n 244 del 8 de marzo de 2017 del\u00a0podcast\u00a0HDO.\u00a0The Wild (Pine Eagle Records) del saxofonista\u00a0Rich Halley\u00a0(padre), y del baterista\u00a0Carson Halley (hijo), se adentra en los terrenos de la improvisaci\u00f3n que no deja de mirar hacia el\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Ross-Hammond_Follow-Your-Heart-_LP_2017.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":75432,"url":"https:\/\/tomajazz.com\/web\/michael-feinberg-barcelona-2023\/","url_meta":{"origin":98958,"position":4},"title":"Michael Feinberg \u201cBlues Variant\u201d feat. Noah Preminger (Jamboree Jazz, Sala-1, 2023-05-20. Barcelona) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"29 junio, 2023","format":false,"excerpt":"Michael Feinberg present\u00f3 \u201cBlues Variant\u201d en Jamboree Jazz, de Barcelona, el 20 de mayo de 2023 con la colaboraci\u00f3n de Noah Preminger. Joan Cort\u00e8s retrata en INSTANTZZ la actuaci\u00f3n.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"Michael Feinberg \u201cBlues Variant\u201d feat. Noah Preminger (Jamboree Jazz, Sala-1, 2023-05-20. Barcelona) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz 9.0 - Michael Feinberg present\u00f3 \u201cBlues Variant\u201d en Jamboree Jazz, de Barcelona, el 20 de mayo de 2023 con la colaboraci\u00f3n de Noah Preminger. Joan Cort\u00e8s retrata en INSTANTZZ la actuaci\u00f3n.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/06\/09-Mchl-Fnbrg-%C2%A9Joan-Cortes-20mg23-Jmbr-S2-Bcn-bn-Michael-Feinberg-Blues-Variant-feat-Noah-Preminger-Jamboree-2023-05-20-Barcelona-Joan-Cortes-INSTANTZZ.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1701,"url":"https:\/\/tomajazz.com\/web\/julian-shore-filaments-tone-rogue-records-2012\/","url_meta":{"origin":98958,"position":5},"title":"Julian Shore &#8211; Filaments (Tone Rogue Records, 2012)","author":"Tomajazz","date":"19 diciembre, 2012","format":false,"excerpt":"Comentario:\u00a0El pianista Julian Shore presenta su segundo trabajo\u00a0Filaments\u00a0grabado con la colaboraci\u00f3n de varios m\u00fasicos de jazz de la escena neoyorkina, como Kurt Rosenwinkel, Jeff Miles o Noah Preminger, incluyendo a las cantantes Alex Barchini y Shelly Tzarafi, ya que pr\u00e1cticamente la mayor\u00eda del trabajo cuenta con aportaci\u00f3n vocal. La naturaleza\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/discos\/2012_12\/js_f.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/98958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=98958"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/98958\/revisions"}],"predecessor-version":[{"id":99400,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/98958\/revisions\/99400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/99399"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=98958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=98958"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=98958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}