{"id":99,"date":"2009-06-29T00:00:47","date_gmt":"2009-06-28T22:00:47","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=99"},"modified":"2019-04-21T20:27:53","modified_gmt":"2019-04-21T18:27:53","slug":"tomajazz-recomienda-un-disco-lady-of-the-evening-wild-bill-davison-1980","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-lady-of-the-evening-wild-bill-davison-1980\/","title":{"rendered":"Tomajazz recomienda\u2026 un disco: Lady Of The Evening (Wild Bill Davison, 1980)"},"content":{"rendered":"<p>Por\u00a0<strong>Adolphus van Tenzing<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-43016 size-medium\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/06\/Wild-Bill-Davison_lady-of-the-evening-200x200.jpg\" alt=\"\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/06\/Wild-Bill-Davison_lady-of-the-evening-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/06\/Wild-Bill-Davison_lady-of-the-evening-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/06\/Wild-Bill-Davison_lady-of-the-evening-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/06\/Wild-Bill-Davison_lady-of-the-evening-50x50.jpg 50w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/06\/Wild-Bill-Davison_lady-of-the-evening.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Esta grabaci\u00f3n, editada originalmente por el sello Fat Cat (CR-120) y dedicado a su esposa Annette, nos presenta a Wild Bill Davison en plena forma a sus 74 a\u00f1os y es, probablemente, su disco m\u00e1s completo y redondo en mucho tiempo.<\/p>\n<p style=\"text-align: justify;\">Acompa\u00f1ado por una secci\u00f3n r\u00edtmica de calidad (John Eaton al piano, Steve Jordan a la guitarra, Jack Lesberg al contrabajo y Cliff Leeman a la bater\u00eda), Davison se enfrenta a una serie de temas poco explorados a lo largo de su dilatada carrera, entre ellos el que da t\u00edtulo al disco, que se ofrece completo con el verso. Sin renunciar a un variado uso de la din\u00e1mica, su fiera y temperamental corneta no ha perdido un \u00e1pice de ese caracter\u00edstico y legendario <em>drive <\/em>y su tono es quiz\u00e1s m\u00e1s rico y redondo que nunca. Y, por suerte, nos sigue regalando alguna de sus famosas codas, con esos insinuantes gru\u00f1idos en el registro bajo de la corneta, \u201cel equivalente musical a un inocente gui\u00f1o maligno\u201d (Charles Champlin dixit).<\/p>\n<p style=\"text-align: justify;\">Quien una vez defini\u00f3 a Davison como \u201cel menos pretencioso, menos introspectivo y menos farsante\u201d de todos los m\u00fasicos de jazz no se equivocaba. Emoci\u00f3n en estado puro.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0<strong>Adolphus van Tenzing<\/strong>, 2009<\/p>\n<p>Disponible en <em>Lady Of The Evening<\/em> (Jazzology JCD-143)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Adolphus van Tenzing. Esta grabaci\u00f3n, editada originalmente por el sello Fat Cat (CR-120) y dedicado a su esposa Annette, nos presenta a Wild Bill Davison en plena forma a sus 74 a\u00f1os y es, probablemente, su disco m\u00e1s completo y redondo en mucho tiempo. Acompa\u00f1ado por una secci\u00f3n r\u00edtmica de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-lady-of-the-evening-wild-bill-davison-1980\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":43016,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,15517,1038,1273],"tags":[1341,5366,1624,1855],"class_list":["entry","author-adolphus-van-tenzing","post-99","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-textos","category-contenidos","category-tomajazz-recomienda","tag-1341","tag-adolphus-van-tenzing","tag-davidson-wild-bill","tag-jazzology"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2009\/06\/Wild-Bill-Davison_lady-of-the-evening.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1933,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-pretty-wild-and-with-strings-attached-wild-bill-davison-1956-y-1957\/","url_meta":{"origin":99,"position":0},"title":"Tomajazz recomienda\u2026 un disco: \u00abPretty Wild\u00bb and \u00abWith Strings Attached\u00bb (Wild Bill Davison, 1956 y 1957)","author":"Adolphus van Tenzing","date":"24 diciembre, 2010","format":false,"excerpt":"Por Adolphus van Tenzing. En 1956, George Avakian grab\u00f3 a Wild Bill Davison acompa\u00f1ado de una orquesta de cuerda y la experiencia se repetir\u00eda al a\u00f1o siguiente con Irving Townsend como productor, tambi\u00e9n para Columbia Records. Este CD editado por Arbors, el sello americano de Rachel y Mat Domber, re\u00fane\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/12\/Wilid-Bill-Davidson_pretty-wild.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1967,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-musico-antti-sarpila\/","url_meta":{"origin":99,"position":1},"title":"Tomajazz recomienda\u2026 un m\u00fasico: Antti Sarpila","author":"Adolphus van Tenzing","date":"23 marzo, 2011","format":false,"excerpt":"El clarinetista y saxofonista tenor y soprano Antti Sarpila es la prueba viviente de que a\u00fan en los lugares m\u00e1s g\u00e9lidos del planeta puede hacerse buen hot jazz. Nacido en Helsinki en 1964, Sarpila estudi\u00f3 con Bob Wilber -quien a su vez hab\u00eda estudiado con el maestro Sidney Bechet-, continuando\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Swing Is Here. Allan Vach\u00e9 & Antti Sarpila","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/02\/AllanVachAnttiSarpilla-SwingIsHere.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2025,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-angel-song-kenny-wheeler-1997\/","url_meta":{"origin":99,"position":2},"title":"Tomajazz recomienda&#8230; un CD: Angel Song de Kenny Wheeler (1997)","author":"Adolphus van Tenzing","date":"22 agosto, 2011","format":false,"excerpt":"Fiel a la tradici\u00f3n del sello ECM, el trompetista canadiense Kenny Wheeler conforma paisajes sonoros de dulce escucha en este disco de 1997, donde la ausencia de bater\u00eda u otro instrumento percusivo sugiere espacio y libertad. Con Lee Konitz al saxo alto, Dave Holland al contrabajo y Bill Frisell haciendo\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/Kenny-Wheeler_Angel_Song.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2047,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-homenaje-amina-claudine-myers-salutes-bessie-smith-1980\/","url_meta":{"origin":99,"position":3},"title":"Tomajazz recomienda&#8230; un homenaje: Amina Claudine Myers Salutes Bessie Smith (1980)","author":"Adolphus van Tenzing","date":"12 marzo, 2012","format":false,"excerpt":"En 1980 Amina Claudine Myers grababa en Leo Records su segundo disco titulado Amina Claudine Myers Salutes Bessie Smith. La pianista y cantante estaba acompa\u00f1ada por Cecil McBee y Jimmy Lovelace con los que compon\u00eda un disco que estaba lleno de sonidos que homenajeaban a la emperatriz del blues en\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Amina-Claudine-Myers-Salutes-Bessie-Smith.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1903,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-rossano-in-the-dark-rossano-sportiello-2003\/","url_meta":{"origin":99,"position":4},"title":"Tomajazz recomienda\u2026 un cd: Rossano. In The Dark (Rossano Sportiello, 2003)","author":"Adolphus van Tenzing","date":"1 octubre, 2010","format":false,"excerpt":"En su primer disco para un sello americano, Rossano Sportiello muestra una sorprendente madurez y un ambicioso eclecticismo. Sportiello es capaz de alternar, con \u00e9xito, vertiginosos pasajes stride con momentos de gran lirismo y pasar, en apenas unos compases, de la elegancia del piano swing que desarrollara Teddy Wilson a\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2010\/10\/Rossano-Sportiello_Solo-Piano.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2023,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-single-petal-of-a-rose-marian-mcpartland-2000\/","url_meta":{"origin":99,"position":5},"title":"Tomajazz recomienda\u2026 un tema: \u201cThe Single Petal Of A Rose\u201d (Marian McPartland, 2000)","author":"Adolphus van Tenzing","date":"24 octubre, 2011","format":false,"excerpt":"La veterana pianista brit\u00e1nica afronta el repertorio ellingtoniano a solo de piano y a d\u00fao con el contrabajista Bill Douglass. El tema que da t\u00edtulo al disco es una deliciosa y et\u00e9rea versi\u00f3n de la pieza perteneciente a \u201cThe Queen\u2019s Suite\u201d, marcada por una hipn\u00f3tica l\u00ednea de la mano izquierda.\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/10\/Marian-McPartland-The-Single-Petal-Of-A-Rose.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/99","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=99"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/99\/revisions"}],"predecessor-version":[{"id":43018,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/99\/revisions\/43018"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/43016"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=99"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=99"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=99"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}