{"id":99022,"date":"2025-10-19T12:30:14","date_gmt":"2025-10-19T10:30:14","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=99022"},"modified":"2025-10-18T16:47:11","modified_gmt":"2025-10-18T14:47:11","slug":"vvaa-jazz-dispensary-night-lights-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/vvaa-jazz-dispensary-night-lights-2025\/","title":{"rendered":"Various Artists: Jazz Dispensary Night Lights (Craft Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

Jazz Dispensary: Night Lights<\/em> es una de esas recopilaciones que, sin necesidad de grandes nombres de portada, logra capturar una atm\u00f3sfera coherente, envolvente y profundamente evocadora. Publicada por Craft Recordings<\/strong> como edici\u00f3n exclusiva para el Record Store Day 2025<\/strong>, esta colecci\u00f3n de once temas seleccionados con mimo se presenta como una traves\u00eda nocturna por los rincones m\u00e1s mel\u00f3dicos y melanc\u00f3licos del jazz grabado entre los a\u00f1os 50 y 60. El t\u00edtulo no enga\u00f1a: es un disco para escuchar con las luces bajas, cuando el bullicio se ha apagado y solo queda el rumor del saxo, el murmullo del piano y el susurro del contrabajo.<\/p>\n

\"VariousLa selecci\u00f3n arranca con Willis Jackson<\/strong> y su tema \u00abHome\u00bb, una pieza que establece el tono emocional del \u00e1lbum. Jackson, saxofonista tenor con ra\u00edces en el rhythm and blues<\/em>, despliega aqu\u00ed su faceta m\u00e1s c\u00e1lida y contenida. Su fraseo, siempre directo, se adapta perfectamente al esp\u00edritu introspectivo del recopilatorio. Le sigue The Frank Wess Quartet<\/strong> con \u00abIt\u2019s So Peaceful in the Country\u00bb, una interpretaci\u00f3n que hace honor a su t\u00edtulo. Wess<\/strong>, flautista y saxofonista, fue uno de los primeros en dar protagonismo a la flauta en el jazz moderno, y aqu\u00ed demuestra su capacidad para crear paisajes sonoros serenos y envolventes.<\/p>\n

Arnett Cobb<\/strong>, conocido por su estilo fogoso y su potente sonido tenor, sorprende con una lectura m\u00e1s contenida en \u00abHurry Home\u00bb. Aunque su apodo era \u201cThe Wild Man of the Tenor Sax\u201d, aqu\u00ed se muestra introspectivo, casi nost\u00e1lgico. Lem Winchester<\/strong>, vibrafonista de carrera breve pero intensa, aporta \u00abTo Love and Be Loved\u00bb, una interpretaci\u00f3n delicada que recuerda a Milt Jackson<\/strong>, pero con un lirismo m\u00e1s contenido. Winchester muri\u00f3 tr\u00e1gicamente en 1961, y este tipo de recopilaciones ayudan a mantener viva su memoria musical.<\/p>\n

El legendario Coleman Hawkins<\/strong>, figura clave en la consolidaci\u00f3n del saxof\u00f3n tenor como instrumento solista en el jazz, aparece con \u00abWhen the Day Is Done\u00bb. Su sonido robusto y su fraseo sofisticado son un recordatorio de su maestr\u00eda incluso en sus a\u00f1os m\u00e1s tard\u00edos. Kenny Burrell<\/strong>, guitarrista de tono c\u00e1lido y elegante, interpreta \u00abNo More\u00bb con su caracter\u00edstico equilibrio entre blues<\/em> y sofisticaci\u00f3n arm\u00f3nica.<\/p>\n

La cara B comienza con Gene Ammons<\/strong> y \u00abUnder a Blanket of Blue\u00bb. Ammons, hijo del pianista boogie-woogie<\/em> Albert Ammons<\/strong>, fue un maestro del soul jazz<\/em>, y aqu\u00ed ofrece una interpretaci\u00f3n tierna y mel\u00f3dica, con su caracter\u00edstico sonido redondo. Clark Terry<\/strong>, trompetista y fliscornista, aporta \u00abThis Is Always\u00bb, una pieza que destaca por su fraseo mel\u00f3dico y su sentido del swing<\/em> relajado.<\/p>\n

Yusef Lateef<\/strong>, pionero en la incorporaci\u00f3n de instrumentos no occidentales al jazz, aparece con \u00abDon\u2019t Blame Me\u00bb, una interpretaci\u00f3n introspectiva que muestra su dominio del tenor y su sensibilidad espiritual. El Red Garland Trio<\/strong> interpreta \u00abI Heard You Cried Last Night\u00bb, con el caracter\u00edstico estilo de Garland<\/strong>, con un swing<\/em> elegante y un fraseo que fluye con naturalidad. Cierra el disco Eddie \u201cLockjaw\u201d Davis<\/strong>, acompa\u00f1ado por la organista Shirley Scott<\/strong>, con \u00abWhat\u2019s New?\u00bb, una pieza que combina la intensidad del tenor de Davis con la calidez del \u00f3rgano de Scott.<\/p>\n

Lo que hace especial a esta recopilaci\u00f3n no es solo la calidad individual de cada tema, sino la coherencia emocional del conjunto. No hay aqu\u00ed fuegos artificiales ni virtuosismo desmedido: todo est\u00e1 al servicio de una atm\u00f3sfera com\u00fan, de una narrativa nocturna que invita a la escucha atenta y al recogimiento.<\/p>\n

Este recopilatorio no solo es una delicia para los o\u00eddos, sino tambi\u00e9n una reivindicaci\u00f3n de figuras que, sin estar en la primera l\u00ednea del jazz m\u00e1s medi\u00e1tico, han dejado una huella profunda en el g\u00e9nero. Un disco para escuchar una y otra vez.<\/p>\n

\u00a9 Pachi \u201cChill past jazzy nights, a topic<\/em>\u201d Tapiz, 2025<\/strong><\/p>\n

\n

Various Artists: Jazz Dispensary \u2013 Night Lights<\/em><\/h3>\n

M\u00fasicos participantes<\/strong>: Willis Jackson (saxo tenor); Frank Wess (saxo tenor, flauta); Arnett Cobb (saxo tenor); Lem Winchester (vibr\u00e1fono); Coleman Hawkins (saxo tenor); Kenny Burrell (guitarra); Gene Ammons (saxo tenor); Clark Terry (trompeta, fliscorno); Yusef Lateef (saxo tenor); Red Garland (piano), Paul Chambers (contrabajo), Art Taylor (bater\u00eda); Eddie \u201cLockjaw\u201d Davis (saxo tenor), Shirley Scott (\u00f3rgano).<\/p>\n

Temas incluidos<\/strong>: 1 \u00abHome\u00bb (Willis Jackson) 4:12 2 \u00abIt\u2019s So Peaceful in the Country\u00bb (Alec Wilder) 5:03 3 \u00abHurry Home\u00bb (Arnett Cobb) 3:58 4 \u00abTo Love and Be Loved\u00bb (Jimmy Van Heusen) 4:45 5 \u00abWhen the Day Is Done\u00bb (Coleman Hawkins) 5:10 6 \u00abNo More\u00bb (Kenny Burrell) 4:20 7 \u00abUnder a Blanket of Blue\u00bb (Gene Ammons) 4:35 8 \u00abThis Is Always\u00bb (Clark Terry) 4:50 9 \u00abDon\u2019t Blame Me\u00bb (Yusef Lateef) 5:00 10 \u00abI Heard You Cried Last Night\u00bb (Red Garland Trio) 4:40 11 \u00abWhat\u2019s New?\u00bb (Eddie \u201cLockjaw\u201d Davis feat. Shirley Scott) 5:15<\/p>\n

Informaci\u00f3n adicional<\/strong>: Publicado por Craft Recordings como edici\u00f3n exclusiva para Record Store Day 2025. Prensado en vinilo \u201cMidnight Blue\u201d. Cantidad limitada: 4000 copias.<\/p>\n

\n

Curiosidades sobre\u00a0Jazz Dispensary \u2013 Night Lights<\/em><\/h3>\n

La selecci\u00f3n es una selecci\u00f3n del sello Moodsville, subsidiario de Prestige Records, especializado en baladas y temas nocturnos.<\/p>\n

\n

Informaci\u00f3n sobre los autores del disco<\/h3>\n

Willis Jackson<\/strong> (1932\u20131987): saxofonista tenor con fuerte presencia en el soul jazz. Recomendaci\u00f3n: Bar Wars<\/em> (Muse, 1978).<\/p>\n

Frank Wess<\/strong> (1922\u20132013): pionero en el uso de la flauta en el jazz moderno. Recomendaci\u00f3n: North, South, East…Wess<\/em> (Savoy, 1956).<\/p>\n

Arnett Cobb<\/strong> (1918\u20131989): swing texano con alma soul. Recomendaci\u00f3n: Party Time<\/em> (Prestige, 1959).<\/p>\n

Lem Winchester<\/strong> (1928\u20131961): vibrafonista l\u00edrico. Recomendaci\u00f3n: Lem\u2019s Beat<\/em> (New Jazz, 1960).<\/p>\n

Coleman Hawkins<\/strong> (1904\u20131969): padre del saxof\u00f3n tenor. Recomendaci\u00f3n: Body and Soul<\/em> (Bluebird, 1939).<\/p>\n

Kenny Burrell<\/strong> (n. 1931): guitarrista elegante. Recomendaci\u00f3n: Midnight Blue<\/em> (Blue Note, 1963).<\/p>\n

Gene Ammons<\/strong> (1925\u20131974): maestro del soul jazz. Recomendaci\u00f3n: Boss Tenor<\/em> (Prestige, 1960).<\/p>\n

Clark Terry<\/strong> (1920\u20132015): trompetista mel\u00f3dico. Recomendaci\u00f3n: Color Changes<\/em> (Candid, 1960).<\/p>\n

Yusef Lateef<\/strong> (1920\u20132013): innovador espiritual. Recomendaci\u00f3n: Eastern Sounds<\/em> (Prestige, 1961).<\/p>\n

Red Garland<\/strong> (1923\u20131984): pianista elegante. Recomendaci\u00f3n: Groovy<\/em> (Prestige, 1957).<\/p>\n

Eddie \u201cLockjaw\u201d Davis<\/strong> (1922\u20131986): tenor potente. Recomendaci\u00f3n: Cookbook Vol. 1<\/em> (Prestige, 1958).<\/p>\n

Shirley Scott<\/strong> (1934\u20132002): organista c\u00e1lida. Recomendaci\u00f3n: Soul Searching<\/em> (Prestige, 1960).<\/p>\n

\n

Informaci\u00f3n sobre Moodsville<\/h3>\n

http:\/\/www.jazzlists.com\/SJ_Label_Moodsville.htm<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=moodsville&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Jazz Dispensary Night Lights (Craft Recordings; 2025) es un recopilatorio del sello Moodsville publicado con motivo del Records Store Day. Pachi Tapiz repasa la grabaci\u00f3n. Con Frank Wess, Coleman Hawkins, Kenny Burrell y otros… Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":100707,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[31],"class_list":["entry","author-pachi","has-excerpt","post-99022","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/vvaa-Jazz-Dispensary-Night-Lights-Tomajazz-2025.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100931,"url":"https:\/\/tomajazz.com\/web\/tortoise-touch-2025\/","url_meta":{"origin":99022,"position":0},"title":"Tortoise: Touch (International Anthem Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"27 octubre, 2025","format":false,"excerpt":"Touch (International Anthem Recordings; 2025) es el regreso de Tortoise. 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Pachi Tapiz repasa la grabaci\u00f3n. Con Arkady Shilkloper, John Wolf Brennan, Christian Zehnder, Marcello Wick","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"John Wolf Brennan - Arkady Shilkloper: Night In Gale (Leo Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Night In Gale (Leo Records; 2025) es la nueva grabaci\u00f3n de John Wolf Brennan y Arkady Shilkloper. Pachi Tapiz repasa la grabaci\u00f3n. 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