{"id":99048,"date":"2025-11-05T17:00:21","date_gmt":"2025-11-05T16:00:21","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=99048"},"modified":"2025-11-04T22:54:33","modified_gmt":"2025-11-04T21:54:33","slug":"theo-bleckmann-love-and-anger-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/theo-bleckmann-love-and-anger-2025\/","title":{"rendered":"Theo Bleckmann: Love and Anger (Sunnyside; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p><em>Love and Anger<\/em> representa un punto culminante en la carrera de <strong>Theo Bleckmann<\/strong>, un artista que ha sabido moverse entre el jazz, la m\u00fasica contempor\u00e1nea y la experimentaci\u00f3n vocal con una sensibilidad \u00fanica. En esta grabaci\u00f3n, Bleckmann se une al baterista y productor <strong>Ulysses Owens Jr.<\/strong>, con quien comparte una conexi\u00f3n art\u00edstica profunda, forjada durante giras previas y consolidada en este proyecto.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-101313 size-medium\" title=\"Theo Bleckmann: Love and Anger (Sunnyside; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] Tomajazz Theo Bleckmann Love and Anger 2025 Sunnyside Records Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Theo-Bleckmann-Love-and-Anger-2025-Sunnyside-Records-Tomajazz-300x300.jpg\" alt=\"Theo Bleckmann: Love and Anger (Sunnyside; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Theo-Bleckmann-Love-and-Anger-2025-Sunnyside-Records-Tomajazz-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Theo-Bleckmann-Love-and-Anger-2025-Sunnyside-Records-Tomajazz-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Theo-Bleckmann-Love-and-Anger-2025-Sunnyside-Records-Tomajazz-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Theo-Bleckmann-Love-and-Anger-2025-Sunnyside-Records-Tomajazz-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Theo-Bleckmann-Love-and-Anger-2025-Sunnyside-Records-Tomajazz-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Theo-Bleckmann-Love-and-Anger-2025-Sunnyside-Records-Tomajazz-500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Theo-Bleckmann-Love-and-Anger-2025-Sunnyside-Records-Tomajazz.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>El disco se abre con dos composiciones de <em>Kate Bush<\/em>: \u201c<strong>Love and Anger<\/strong>\u201d, una denuncia velada sobre los abusos de la Iglesia, y \u201c<strong>Bertie<\/strong>\u201d, una canci\u00f3n de amor maternal que se transforma en una reflexi\u00f3n sobre la incertidumbre del presente. La voz de Bleckmann, tratada con capas y efectos, se convierte en un instrumento de introspecci\u00f3n. La participaci\u00f3n de <strong>Timo Vollbrecht<\/strong> (saxo y flauta) y <strong>Ben Monder<\/strong> (guitarra) a\u00f1ade texturas que refuerzan el car\u00e1cter on\u00edrico de estas piezas.<\/p>\n<p>\u201c<strong>Solo<\/strong>\u201d de <em>Frank Ocean<\/em> se presenta como un canto solitario, acompa\u00f1ado \u00fanicamente por el \u00f3rgano de <strong>Mike King<\/strong>. La versi\u00f3n de \u201c<strong>You\u2019ve Got To Hide Your Love Away<\/strong>\u201d de <em>The Beatles<\/em> se convierte en un di\u00e1logo entre la voz y el saxof\u00f3n soprano, revelando nuevas capas emocionales. \u201c<strong>The Crossing<\/strong>\u201d, de <strong>Sheila Jordan<\/strong>, es un homenaje a la mentora de Bleckmann, y se sit\u00faa en un espacio h\u00edbrido entre el jazz, el folk y lo espiritual.<\/p>\n<p>La interpretaci\u00f3n de \u201c<strong>Stars<\/strong>\u201d de <em>Janis Ian<\/em>, inspirada en <strong>Nina Simone<\/strong>, aborda la ambivalencia de la fama en la era digital. \u201c<strong>I Feel Real<\/strong>\u201d y \u201c<strong>Mighty Real<\/strong>\u201d de <strong>Sylvester<\/strong> son un tributo a la identidad queer y a la resiliencia frente a la tragedia. Bleckmann logra transmitir la energ\u00eda de la m\u00fasica disco sin caer en la nostalgia, manteniendo una est\u00e9tica contempor\u00e1nea.<\/p>\n<p>El segmento barroco con \u201c<strong>Dido\u2019s Lament<\/strong>\u201d de <em>Henry Purcell<\/em> muestra la versatilidad del cantante, que reinterpreta la pieza con una sensibilidad moderna. \u201c<strong>Teardrop<\/strong>\u201d de <em>Massive Attack<\/em> se transforma en una exploraci\u00f3n del duelo, con solos destacados de <strong>Matt Penman<\/strong> (bajo) y <strong>Mike King<\/strong>. El cierre con \u201c<strong>Precious Lord<\/strong>\u201d y \u201c<strong>Crying, Laughing, Loving, Lying<\/strong>\u201d de <em>Labi Siffre<\/em> encapsula el mensaje del disco: la posibilidad de encontrar luz en medio de la oscuridad.<\/p>\n<p>Bleckmann ha sido reconocido por su capacidad para inspirar a compositores como <strong>Ben Monder<\/strong>, <strong>John Hollenbeck<\/strong>, <strong>Julia Wolfe<\/strong> y <strong>David Lang<\/strong>. Su voz ha sido protagonista en obras como la \u00f3pera de c\u00e1mara \u201cNote to a Friend\u201d, y ha colaborado con figuras como <strong>Meredith Monk<\/strong>, <strong>Laurie Anderson<\/strong>, <strong>Philip Glass<\/strong> y <strong>John Zorn<\/strong>. <em>Love and Anger<\/em> es una s\u00edntesis de estas influencias, una obra que desaf\u00eda g\u00e9neros y expectativas.<\/p>\n<p>En definitiva, este disco es una muestra de c\u00f3mo el jazz puede dialogar con el pop, la m\u00fasica cl\u00e1sica y la electr\u00f3nica sin perder profundidad ni autenticidad. Bleckmann nos invita a un viaje emocional que es a la vez \u00edntimo y universal, confirmando su lugar como uno de los artistas m\u00e1s innovadores del panorama actual.<\/p>\n<p style=\"text-align: right;\"><strong>\u00a9 Pachi \u201cChill Poet: Pagan Echo Bank\u201d Tapiz, 2025<\/strong><\/p>\n<hr \/>\n<h3>Theo Bleckmann: <em>Love and Anger<\/em><\/h3>\n<p><strong>M\u00fasicos:<\/strong> Theo Bleckmann (voz); Mike King (piano, \u00f3rgano); Matt Penman (bajo); Ulysses Owens Jr. (bater\u00eda); Timo Vollbrecht (saxof\u00f3n, flauta en temas 1, 4, 5, 12); Ben Monder (guitarra en temas 1, 5, 12).<\/p>\n<p><strong>Temas:<\/strong> 1 \u00abLove and Anger\u00bb (Kate Bush) 4:19 2 \u00abBertie\u00bb (Kate Bush) 2:35 3 \u00abSolo\u00bb (Frank Ocean) 5:01 4 \u00abYou\u2019ve Got To Hide Your Love Away\u00bb (Lennon\/McCartney) 3:36 5 \u00abThe Crossing\u00bb (Sheila Jordan) 2:56 6 \u00abStars\u00bb (Janis Ian) 1:47 7 \u00abI Feel Real\u00bb (Sylvester \/ Theo Bleckmann) 2:41 8 \u00abMighty Real\u00bb (Sylvester) 4:29 9 \u00abDido\u2019s Lament\u00bb (Henry Purcell) 3:21 10 \u00abTeardrop\u00bb (Robert DelNaja \/ Grantley Marshall \/ Andrew Vowels &amp; Elizabeth Fraser) 7:17 11 \u00abPrecious Lord\u00bb (Traditional Hymn) 6:22 12 \u00abCrying, Laughing, Loving, Lying\u00bb (Labi Siffre) 2:19<\/p>\n<p><strong>Grabaci\u00f3n:<\/strong> Grabado en Trading 8s Studio el 24 de julio de 2024 por Chris Sulit. Grabaciones adicionales en Earrelevant Studio, NYC. Mezclado y masterizado por David Darlington. Producci\u00f3n vocal por Theo Bleckmann. Productor: Ulysses Owens Jr.<\/p>\n<hr \/>\n<h3>Curiosidades sobre <em>Love and Anger<\/em><\/h3>\n<p>\u201cPrecious Lord\u201d fue arreglado por Bleckmann para el funeral de su cu\u00f1ada, lo que a\u00f1ade una carga emocional especial a la interpretaci\u00f3n.<\/p>\n<hr \/>\n<h3>Informaci\u00f3n sobre Theo Bleckmann<\/h3>\n<p><strong>Theo Bleckmann<\/strong> (n. 1966, Alemania) es un vocalista y compositor que ha trabajado en los \u00e1mbitos del jazz, la m\u00fasica contempor\u00e1nea y la improvisaci\u00f3n desde los a\u00f1os 90. Ha colaborado con <strong>Meredith Monk<\/strong>, <strong>Ben Monder<\/strong>, <strong>John Hollenbeck<\/strong>, <strong>Laurie Anderson<\/strong>, <strong>Philip Glass<\/strong>, <strong>John Zorn<\/strong> y muchos otros. Ha sido nominado al Grammy en categor\u00edas de jazz y cl\u00e1sica, y ha recibido el Echo Award en Alemania. Entre sus grabaciones destacadas se encuentran <em>Hello Earth<\/em>, <em>Elegy<\/em> (ECM), y el pr\u00f3ximo <em>12 Easy Songs<\/em> (2026).<\/p>\n<hr \/>\n<h3>M\u00e1s acerca de Theo Bleckmann y Sunnyside Records<\/h3>\n<p><a href=\"http:\/\/theobleckmann.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/theobleckmann.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=theo+bleckmann&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=theo+bleckmann&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/www.sunnysiderecords.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.sunnysiderecords.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=sunnyside+records&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=sunnyside+records&amp;submit=Search<\/a><\/p>\n<h3>Pachi Tapiz en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Love and Anger (Sunnyside; 2025) es la nueva grabaci\u00f3n de Theo Bleckmann. Pachi Tapiz repasa la grabaci\u00f3n<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/theo-bleckmann-love-and-anger-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":101313,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[31,8937,11089],"class_list":["entry","author-pachi","has-excerpt","post-99048","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-pachi-tapiz","tag-sunnyside-records","tag-theo-bleckmann"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Theo-Bleckmann-Love-and-Anger-2025-Sunnyside-Records-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29686,"url":"https:\/\/tomajazz.com\/web\/hdo-246-en-concierto-con-theo-bleckmann-en-jamboree-podcast\/","url_meta":{"origin":99048,"position":0},"title":"HDO 246. En concierto con&#8230; Theo Bleckmann en Jamboree [Podcast]","author":"Tomajazz","date":"14 marzo, 2017","format":false,"excerpt":"El jueves 16 de marzo, en las habituales sesiones dobles de 20:00 y 22:00, el cantante Theo Bleckmann presentar\u00e1 en el barcelon\u00e9s Jamboree, su nueva grabaci\u00f3n Elegy (ECM, 2017), al frente del grupo que ha grabado en el prestigioso sello alem\u00e1n. Un cuarteto de muchos quilates con acompa\u00f1antes como John\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Theo-Bleckmann_Elegy_ECM_2017-e1489429980557.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Theo-Bleckmann_Elegy_ECM_2017-e1489429980557.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Theo-Bleckmann_Elegy_ECM_2017-e1489429980557.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/Theo-Bleckmann_Elegy_ECM_2017-e1489429980557.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101972,"url":"https:\/\/tomajazz.com\/web\/mark-sherman-bop-contest-2025\/","url_meta":{"origin":99048,"position":1},"title":"Mark Sherman: Bop Contest (Miles High Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"19 noviembre, 2025","format":false,"excerpt":"Bop Contest (Miles High Records; 2025) es la nueva grabaci\u00f3n de Mark Sherman. Pachi Tapiz repasa la grabaci\u00f3n. Con Mark Sherman, Ron Carter, Donald Vega, Carl Allen, Joe Magnarelli","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Mark Sherman: Bop Contest (Miles High Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Bop Contest (Miles High Records; 2025) es la nueva grabaci\u00f3n de Mark Sherman. Pachi Tapiz repasa la grabaci\u00f3n. Con Mark Sherman, Ron Carter, Donald Vega, Carl Allen, Joe Magnarelli","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Mark-Sherman-Bop-Contest-Miles-High-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Mark-Sherman-Bop-Contest-Miles-High-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Mark-Sherman-Bop-Contest-Miles-High-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Mark-Sherman-Bop-Contest-Miles-High-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101751,"url":"https:\/\/tomajazz.com\/web\/chad-taylor-smoke-shifter-2025\/","url_meta":{"origin":99048,"position":2},"title":"Chad Taylor: Smoke Shifter (Otherly Love Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"14 noviembre, 2025","format":false,"excerpt":"Smoke Shifter (Otherly Love Records; 2025) es lo nuevo del baterista Chad Taylor. Pachi Tapiz repasa la grabaci\u00f3n. Con Chad Taylor, Jonathan Finlayson, Bryan Rogers, Victor Vieira-Branco, Matt Engle","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Chad Taylor: Smoke Shifter (Otherly Love Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Smoke Shifter (Otherly Love Records; 2025) es lo nuevo del baterista Chad Taylor. Pachi Tapiz repasa la grabaci\u00f3n. Con Chad Taylor, Jonathan Finlayson, Bryan Rogers, Victor Vieira-Branco, Matt Engle","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30199,"url":"https:\/\/tomajazz.com\/web\/instantzz-theo-bleckmann-quintet-jamboree-barcelona-2017-03-16-galeria-fotografica\/","url_meta":{"origin":99048,"position":3},"title":"INSTANTZZ: Theo Bleckmann Quintet \u00abElegy\u00bb (Jamboree, Barcelona. 2017-03-16) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"18 abril, 2017","format":false,"excerpt":"Fecha: Jueves, 16 de marzo de 2017 Lugar: Jamboree Jazz, Barcelona Grupo: Theo Bleckmann Quintet presenta\u00a0Elegy Theo Bleckmann: voz Ben Monder: guitarra Hermen Fraanje: piano Chris Tordini: contrabajo John Hollenbeck: bater\u00eda Tomajazz:\u00a0\u00a9 Joan Cort\u00e8s, 2017","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/08_ThBlckmnn-%C2%A9Joan-Cort%C3%A8s_16mr%C3%A717_Jmbor-Jzz_Brcln.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/08_ThBlckmnn-%C2%A9Joan-Cort%C3%A8s_16mr%C3%A717_Jmbor-Jzz_Brcln.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/08_ThBlckmnn-%C2%A9Joan-Cort%C3%A8s_16mr%C3%A717_Jmbor-Jzz_Brcln.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":19483,"url":"https:\/\/tomajazz.com\/web\/maria-schneider-john-hollenbeck-rainbow-jazz-orchestra-y-zubatto-syndicate-grandes-formaciones-hdo-entrega-0007-audioblog\/","url_meta":{"origin":99048,"position":4},"title":"Maria Schneider Orchestra, John Hollenbeck &#038; Frankfurt Radio Big Band, Rainbow Jazz Orchestra y Zubatto Syndicate. Grandes formaciones. HDO (entrega 0007) [Audioblog]","author":"Tomajazz","date":"9 septiembre, 2015","format":"image","excerpt":"Cuatro grabaciones con formaciones extensas en la s\u00e9ptima\u00a0entrega de HDO. Cuatro propuestas diferentes, pero que \u00a0merecen una escucha atenta. Comenzamos con dos temas de la \u00faltima propuesta de Maria Schneider, titulada\u00a0The Thompson Fields\u00a0(ArtistShare), compuestos y arreglados por esta artista para una formaci\u00f3n en la que participan, entre otros, Donny McCaslin,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150903_002-e1441744789623.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150903_002-e1441744789623.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150903_002-e1441744789623.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150903_002-e1441744789623.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150903_002-e1441744789623.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":100608,"url":"https:\/\/tomajazz.com\/web\/antti-lahdesmaki-we-tend-to-help-eooh-2025\/","url_meta":{"origin":99048,"position":5},"title":"Antti L\u00e4hdesm\u00e4ki: We tend to help each other out here (Howling Jazz; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"19 octubre, 2025","format":false,"excerpt":"We tend to help each other out here (Howling Jazz; 2025) es la nueva obra del pianista Antti L\u00e4hdesm\u00e4ki. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Antti L\u00e4hdesm\u00e4ki: We tend to help each other out here (Howling Jazz; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Antti-Lahdesmaki-We-tend-to-help-each-other-out-here-2025-Howling-Jazz-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Antti-Lahdesmaki-We-tend-to-help-each-other-out-here-2025-Howling-Jazz-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Antti-Lahdesmaki-We-tend-to-help-each-other-out-here-2025-Howling-Jazz-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Antti-Lahdesmaki-We-tend-to-help-each-other-out-here-2025-Howling-Jazz-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/99048","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=99048"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/99048\/revisions"}],"predecessor-version":[{"id":101316,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/99048\/revisions\/101316"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/101313"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=99048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=99048"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=99048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}