{"id":99077,"date":"2025-10-05T17:00:59","date_gmt":"2025-10-05T15:00:59","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=99077"},"modified":"2025-10-05T00:20:31","modified_gmt":"2025-10-04T22:20:31","slug":"ledisi-for-dinah-candid-records-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/ledisi-for-dinah-candid-records-2025\/","title":{"rendered":"Ledisi: For Dinah (Candid Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

For Dinah<\/em> es mucho m\u00e1s que un disco de homenaje. Es una declaraci\u00f3n art\u00edstica, pol\u00edtica y emocional de Ledisi<\/strong>, quien ha construido una carrera s\u00f3lida en el R&B contempor\u00e1neo y ahora se adentra con autoridad en el terreno del jazz vocal. El \u00e1lbum rinde tributo a Dinah Washington<\/strong>, una figura clave del siglo XX cuya influencia ha sido subestimada por el gran p\u00fablico, pero que marc\u00f3 profundamente a generaciones de cantantes.<\/p>\n

\"Ledisi:Desde el primer tema, \u00abWhat a Difference a Day Made\u00bb, se percibe el respeto por el legado de Dinah, pero tambi\u00e9n la voluntad de Ledisi de imprimir su sello. La interpretaci\u00f3n es elegante, con una voz que combina claridad t\u00e9cnica y profundidad emocional. En \u00abIf I Never Get To Heaven\u00bb, Ledisi se permite una lectura m\u00e1s personal, con un fraseo que recuerda a Washington pero que tambi\u00e9n incorpora elementos de soul y gospel.<\/p>\n

\u00abCaravan\u00bb es uno de los momentos m\u00e1s ambiciosos del disco. El arreglo, inspirado en la versi\u00f3n de Quincy Jones para Dinah, es exuberante y lleno de matices. La secci\u00f3n de vientos aporta una riqueza t\u00edmbrica que envuelve la voz de Ledisi en un entorno vibrante.<\/p>\n

El d\u00fao con Gregory Porter<\/strong> en \u00abYou\u2019ve Got What It Takes\u00bb es una joya. Ambos cantantes se complementan con naturalidad, recreando la din\u00e1mica del original de Dinah y Brook Benton, pero con una frescura contempor\u00e1nea que lo hace irresistible. En \u00abYou Go To My Head\u00bb, la guitarra de Paul Jackson Jr.<\/strong> dialoga con la voz de Ledisi en una interpretaci\u00f3n \u00edntima y sofisticada.<\/p>\n

\u00abThis Bitter Earth\u00bb es otro punto \u00e1lgido. Christian McBride<\/strong> a\u00f1ade un toque neo-soul<\/em> que permite a Ledisi conectar su universo R&B con el jazz cl\u00e1sico. La instrumentaci\u00f3n de cuerdas aporta una dimensi\u00f3n cinematogr\u00e1fica al tema.<\/p>\n

M\u00e1s all\u00e1 de lo musical, el disco es una reivindicaci\u00f3n de la figura de Dinah Washington como pionera. Ledisi reconoce en ella una fuente de inspiraci\u00f3n y un modelo de resistencia: \u201cDinah us\u00f3 su voz y su presencia f\u00edsica para hacerse ver en una industria que no daba espacio a mujeres negras con curvas. Se rebel\u00f3 contra las cajas que no pod\u00edan contener su voz ni su personalidad\u201d<\/strong>.<\/p>\n

En definitiva, en For Dinah<\/em> Ledisi no solo canta a Dinah, sino que la revive, la celebra y la proyecta hacia el futuro.<\/p>\n

\u00a9 Pachi \u201cChaz, I pitch to piano-led riffs<\/strong>\u201d Tapiz, 2025<\/strong><\/p>\n

\n

Ledisi: For Dinah\u00a0<\/em><\/h3>\n

Ledisi<\/strong> (voz); Christian McBride<\/strong> (contrabajo); Michael King<\/strong> (piano); McClenty Hunter<\/strong> (bater\u00eda); Gregory Porter<\/strong> (voz); Paul Jackson Jr.<\/strong> (guitarra el\u00e9ctrica); Sarah Hewitt-Roth<\/strong>, Antoine Silverman<\/strong>, Yuko Naito-Gotay<\/strong>, Lisa Matricardi<\/strong> (cuerdas); Frank Greene<\/strong>, Freddie Hendrix<\/strong>, Alex Norris<\/strong>, Nabate Isles<\/strong> (trompeta); Todd Bashore<\/strong>, Ron Blake<\/strong>, Carl Maraghi<\/strong>, Dan Pratt<\/strong>, Steve Wilson<\/strong> (saxos); Doug Purviance<\/strong>, James Burton III<\/strong>, Michael Dease<\/strong>, Steve Davis<\/strong> (tromb\u00f3n).<\/p>\n

1 \u00abWhat a Difference a Day Made\u00bb (Mar\u00eda Grever, Stanley Adams) 4:12 2 \u00abIf I Never Get To Heaven\u00bb (Dinah Washington, Juanita Hill) 5:03 3 \u00abCaravan\u00bb (Edward K. Ellington, Juan Tizol, Irving Mills) 6:45 4 \u00abLet\u2019s Do It\u00bb (Cole Porter) 4:20 5 \u00abYou Don\u2019t Know What Love Is\u00bb (Gene De Paul, Don Raye) 5:30 6 \u00abYou\u2019ve Got What It Takes\u00bb (Clyde Otis, Murray Stein) 3:58 7 \u00abYou Go To My Head\u00bb (Fred Coots, Haven Gillespie) 5:15 8 \u00abThe Bitter Earth\u00bb (Clyde Otis, Max Richter) 4:50<\/p>\n

Grabado en Power Station, Sear Sound y Jazz At Lincoln Center Studio. T\u00e9cnico de grabaci\u00f3n Todd Whitelock. Productores Christian McBride y Rex Rideout. Masterizaci\u00f3n Reuben Cohen. Direcci\u00f3n art\u00edstica Ron T. Young.<\/p>\n

\n

Curiosidades sobre For Dinah <\/em><\/strong><\/h3>\n

El tema \u00abCaravan\u00bb fue arreglado originalmente por Quincy Jones para Dinah Washington, y Ledisi quiso rendir homenaje replicando ese arreglo. El disco incluye agradecimientos expl\u00edcitos a la familia de Dinah por permitirle \u201cdecir su nombre en este tiempo\u201d.<\/p>\n

\n

Informaci\u00f3n sobre Ledisi y Dinah Washington<\/strong><\/h3>\n

Ledisi<\/strong> (1972): Voz destacada del R&B contempor\u00e1neo. Ha ganado un Grammy y ha sido nominada en 14 ocasiones. Ha interpretado a Mahalia Jackson en cine y ha rendido tributo a Nina Simone en el \u00e1lbum Ledisi Sings Nina<\/em>. Recomendaciones: Ledisi Sings Nina<\/em>, Pieces of Me<\/em>, Turn Me Loose<\/em>.<\/p>\n

Dinah Washington<\/strong> (1924\u20131963): Figura clave del jazz y el blues. Apodada \u201cQueen of the Blues\u201d y \u201cQueen of the Jukeboxes\u201d. Recomendaciones: What a Diff\u2019rence a Day Makes<\/em>, Dinah Jams<\/em>, The Best in Blues<\/em>, Back to the Blues<\/em>.<\/p>\n

\n

M\u00e1s informaci\u00f3n sobre Ledisi y Candid Records<\/h3>\n

https:\/\/www.ledisi.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=ledisi&submit=Search<\/a><\/p>\n

https:\/\/candidrecords.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=candid+records&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

For Dinah (Candid Records; 2025) es la nueva grabaci\u00f3n de la cantante Ledisi. Pachi Tapiz repasa la grabaci\u00f3nContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":100111,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[12854,16532,31],"class_list":["entry","author-pachi","has-excerpt","post-99077","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-candid-records","tag-ledisi","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Ledisi-For-Dinah-2025-Candid-Records-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100194,"url":"https:\/\/tomajazz.com\/web\/charles-mingus-mingus-at-monterey-2025\/","url_meta":{"origin":99077,"position":0},"title":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"11 octubre, 2025","format":false,"excerpt":"Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) de Charles Mingus se ha reeditado en distintos formatos, incluyendo la de doble LP. 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