{"id":9922,"date":"2014-01-15T11:20:47","date_gmt":"2014-01-15T10:20:47","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=9922"},"modified":"2016-11-13T17:16:54","modified_gmt":"2016-11-13T16:16:54","slug":"the-ambush-party-circus-the-plattenbakerij-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/the-ambush-party-circus-the-plattenbakerij-2013\/","title":{"rendered":"The Ambush Party: <i>Circus<\/i> (The Plattenbakerij, 2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/?attachment_id=9923\" rel=\"attachment wp-att-9923\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-9923\" alt=\"The Ambush Party Circus\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/The-Ambush-Party-Circus-200x199.jpg\" width=\"200\" height=\"199\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/The-Ambush-Party-Circus-200x199.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/The-Ambush-Party-Circus-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/The-Ambush-Party-Circus-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/The-Ambush-Party-Circus.jpg 394w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Tres a\u00f1os despu\u00e9s de la publicaci\u00f3n de su estreno discogr\u00e1fico hom\u00f3nimo, The Ambush Party ha publicado <em>Circus<\/em>. Tal y como sucedi\u00f3 en su primer CD (grabado en 2008 y publicado dos a\u00f1os despu\u00e9s), la continuaci\u00f3n fue grabada en directo en Alemania en el Festival de Moers de 2011, teniendo que esperar el grupo dos a\u00f1os hasta su publicaci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">El cuarteto residente en Holanda (en el que participan los m\u00fasicos argentinos Natalio Sued y Marcos Baggiani) est\u00e1 centrado en la composici\u00f3n en tiempo real, que tambi\u00e9n a veces se asociar con la libre improvisaci\u00f3n (aunque hay diferencias notables entre una y otra t\u00e9cnica creativa). M\u00e1s all\u00e1 de este tipo de discusiones, con <em>Circus<\/em> logran dar un paso m\u00e1s all\u00e1 dentro de este estilo gen\u00e9rico, consiguiendo crear un sugerente disco tem\u00e1tico de libre improvisaci\u00f3n program\u00e1tica.<\/p>\n<p style=\"text-align: justify;\">El <em>leitmotiv<\/em>, lo indica claramente el t\u00edtulo, es el mundo del circo. Siguiendo ese hilo conductor van surgiendo las improvisaciones que componen esta grabaci\u00f3n: \u00abThe Invisible Acrobats\u00bb, \u00abRope Dancer\u00bb, \u00abRehearsing The Clowns Act\u00bb, \u00abThe Elephant\u00bb, \u00abThe Tiger Is Loose\u00bb, \u00abTrapez Gesang\u00bb. Resulta notable, por encima del trabajo individual, la manera en que el cuarteto logra que cada una de las improvisaciones invocan en la imaginaci\u00f3n del oyente im\u00e1genes relacionadas con el tema al que est\u00e1 dedicado.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2014<\/p>\n<p>The Ambush Party: Natalio Sued (saxo tenor y clarinete), Oscar Jan Hoogland (piano), Harald Austbo (violonchelo), Marcos Baggiani (bater\u00eda)<\/p>\n<p>\u00abThe Invisible Acrobats\u00bb, \u00abRope Dancer\u00bb, \u00abRehearsing The Clowns Act\u00bb, \u00abThe Elephant\u00bb, \u00abThe Tiger Is Loose\u00bb, \u00abTrapez Gesang\u00bb<br \/>\nImprovisaciones por The Ambush Party<\/p>\n<p>Grabado en directo el 6 de junio de 2011 en Moers Festival, Alemania. Publicado por The Plattenbakerij en 2013.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tres a\u00f1os despu\u00e9s de la publicaci\u00f3n de su estreno discogr\u00e1fico hom\u00f3nimo, The Ambush Party ha publicado Circus. Tal y como sucedi\u00f3 en su primer CD (grabado en 2008 y publicado dos a\u00f1os despu\u00e9s), la continuaci\u00f3n fue grabada en directo en Alemania en el Festival de Moers de 2011, teniendo que<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/the-ambush-party-circus-the-plattenbakerij-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9923,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,12696,6275,13,12415,15295,8086,8085,6274,31,8084,8087,16099,77,16100],"class_list":["entry","author-pachi","post-9922","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-grabaciones","tag-harald-austbo","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-marcos-baggiani","tag-natalio-sued","tag-oscar-jan-hoogland","tag-pachi-tapiz","tag-the-ambush-party","tag-the-plattenbakerij","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/The-Ambush-Party-Circus.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2630,"url":"https:\/\/tomajazz.com\/web\/the-ambush-party-the-ambush-party-doek-2011\/","url_meta":{"origin":9922,"position":0},"title":"The Ambush Party: The Ambush Party (dOeK, 2011)","author":"Tomajazz","date":"4 mayo, 2011","format":false,"excerpt":"Cl\u00e1sico en su concepci\u00f3n y casi can\u00f3nico en su ejecuci\u00f3n, el disco hom\u00f3nimo de The Ambush Party es una buena muestra de la escena de la libre improvisaci\u00f3n holandesa. Breves en su mayor\u00eda (\u00fanicamente dos temas superan los siete minutos y otro ronda los cinco mientras que las nueve piezas\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-UbfOdLMOFNY\/TcD1iFGX2BI\/AAAAAAAACto\/LL0prFYWM8o\/s200\/cd-ambushParty260.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":100173,"url":"https:\/\/tomajazz.com\/web\/the-necks-disquiet-northern-spy-2025\/","url_meta":{"origin":9922,"position":1},"title":"The Necks: Disquiet (Northern Spy; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"13 octubre, 2025","format":false,"excerpt":"Disquiet (Northern Spy; 2025) es el nuevo triple CD de The Necks. Pachi Tapiz repasa la grabaci\u00f3n. The Necks son Tony Buck, Chris Abrahams, Lloyd Swanton","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"20251010The Necks: Disquiet (Northern Spy; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Disquiet (Northern Spy; 2025) es el nuevo triple CD de The Necks. Pachi Tapiz repasa la grabaci\u00f3n. The Necks son Tony Buck, Chris Abrahams, Lloyd Swanton","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/The-Necks-Disquiet-2025-Northern-Spy-Records-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/The-Necks-Disquiet-2025-Northern-Spy-Records-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/The-Necks-Disquiet-2025-Northern-Spy-Records-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/The-Necks-Disquiet-2025-Northern-Spy-Records-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":9922,"position":2},"title":"Rahsaan Roland Kirk: Seek &#038; Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":9578,"url":"https:\/\/tomajazz.com\/web\/spyro-gyra-the-rhinebeck-sessions-crosseyed-bear-productions-2013\/","url_meta":{"origin":9922,"position":3},"title":"Spyro Gyra: The Rhinebeck Sessions (Crosseyed Bear Productions, 2013)","author":"Tomajazz","date":"5 diciembre, 2013","format":false,"excerpt":"Comentario: Mi encuentro personal con Spyro Gyra data de su exitoso segundo trabajo\u00a0 \u00a0Morning Dance del a\u00f1o 1979 y desde entonces les segu\u00ed la pista unos cuantos discos m\u00e1s como\u00a0 Carnaval, Incognito o Breakout \u00a0hasta el d\u00eda de hoy que vuelvo a darme de bruces con un nuevo encuentro con\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/12\/spyrogyra-the-rhinebeck-sessions.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":100192,"url":"https:\/\/tomajazz.com\/web\/fredis-jazz-band-vol-2-temps-record-2024-por-pachi-tapiz-grabacion-de-jazz\/","url_meta":{"origin":9922,"position":4},"title":"Fredi&#8217;s Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 octubre, 2025","format":false,"excerpt":"Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Fredi's Jazz Band: Vol. #2 (Temps Record; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Vol. #2 (Temps Record; 2024) es el t\u00edtulo del nuevo doble CD de Fredi's Jazz Band.  Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Fredi-s-Jazz-Band-vol-2-2024-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101329,"url":"https:\/\/tomajazz.com\/web\/phil-haynes-liberty-now-2025\/","url_meta":{"origin":9922,"position":5},"title":"Phil Haynes &#038; Free Country: Liberty Now! (Corner Store Jazz; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 noviembre, 2025","format":false,"excerpt":"Liberty Now! (Corner Store Jazz; 2025) es la nueva entrega de Phil Haynes & Free Country. Pachi Tapiz repasa la grabaci\u00f3n. Con Phil Haynes, Hank Roberts, Jim Yanda, Drew Gress","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Phil Haynes & Free Country: Liberty Now! (Corner Store Jazz; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Liberty Now! (Corner Store Jazz; 2025) es la nueva entrega de Phil Haynes & Free Country. Pachi Tapiz repasa la grabaci\u00f3n. Con Phil Haynes, Hank Roberts, Jim Yanda, Drew Gress","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Phil-Haynes-Free-Country-Liberty-Now-Corner-Store-Jazz-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Phil-Haynes-Free-Country-Liberty-Now-Corner-Store-Jazz-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Phil-Haynes-Free-Country-Liberty-Now-Corner-Store-Jazz-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Phil-Haynes-Free-Country-Liberty-Now-Corner-Store-Jazz-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=9922"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9922\/revisions"}],"predecessor-version":[{"id":9924,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9922\/revisions\/9924"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/9923"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=9922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=9922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=9922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}