{"id":9968,"date":"2014-01-20T11:20:58","date_gmt":"2014-01-20T10:20:58","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=9968"},"modified":"2016-11-13T15:55:16","modified_gmt":"2016-11-13T14:55:16","slug":"gonzalo-del-val-electric-quartet-the-music-of-steve-swallow-quadrant-2014","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/gonzalo-del-val-electric-quartet-the-music-of-steve-swallow-quadrant-2014\/","title":{"rendered":"Gonzalo Del Val Electric Quartet: <i>The Music of Steve Swallow<\/i> (Quadrant, 2014)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-9969\" alt=\"Gonzalo-del-Val-Electric-Quartet-The-Music-Of-Steve-Swallow\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Gonzalo-del-Val-Electric-Quartet-The-Music-Of-Steve-Swallow-200x200.gif\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Gonzalo-del-Val-Electric-Quartet-The-Music-Of-Steve-Swallow-200x200.gif 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Gonzalo-del-Val-Electric-Quartet-The-Music-Of-Steve-Swallow-150x150.gif 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Gonzalo-del-Val-Electric-Quartet-The-Music-Of-Steve-Swallow-55x55.gif 55w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Gonzalo Del Val fragu\u00f3 este proyecto en Nueva York en el a\u00f1o 2009 a ra\u00edz de presenciar un concierto de su admirado Adam Nussbaum en el club <i>Cornelia Street Caf\u00e9<\/i> que dem\u00e1s contaba con el bajista Steve Swallow.<\/p>\n<p style=\"text-align: justify;\">A partir de este instante la idea de realizar un disco con la m\u00fasica de Steve Swallow se convirti\u00f3 en una peque\u00f1a obsesi\u00f3n que necesitaba salir a la luz.<\/p>\n<p style=\"text-align: justify;\">En cuanto a la obra en s\u00ed, mi recomendaci\u00f3n es que escuches el disco sin seguir el orden establecido y te dar\u00e1s cuenta que no contiene altibajos. Comenc\u00e9 por la diferente \u201cWrong Together\u201d, una hermosa pieza <i>cool<\/i> en la que la flauta de V\u00edctor De Diego destaca y da car\u00e1cter al bajo de Vic Moliner en su interactuaci\u00f3n con la guitarra ac\u00fastica de Jaume Llombart a los que arropa Gonzalo Del Val con las escobillas.<\/p>\n<p style=\"text-align: justify;\">\u201cMisery Loves Company\u201d, es sutil y bella donde el saxo soprano de V\u00edctor De Diego comienza tranquilo para ir creciendo en intensidad con la gru\u00f1ona y progresiva guitarra el\u00e9ctrica de Jaume Llombart y finalizando intenso nuevamente V\u00edctor De Diego.<\/p>\n<p style=\"text-align: justify;\">Esencia de <i>blues<\/i> y <i>avant garde<\/i> en<i> <\/i>\u201cSecond Handy Motion\u201d. Pieza imaginativa y rica en matices y cambios constantes.<\/p>\n<p style=\"text-align: justify;\">\u201cBite Your Grandmother\u201d, es una composici\u00f3n de inauditas insinuaciones flamencas, luminoso saxo tenor de V\u00edctor De Diego y surrealista guitarra de Jaume Llombart.<\/p>\n<p style=\"text-align: justify;\">\u201cRemember\u201d, es una preciosa balada <i>bop<\/i> que nos acerca en el recuerdo a Wes Montgomery con Jaume Llombart.<\/p>\n<p style=\"text-align: justify;\">Cierra el \u00e1lbum la improvisada \u201cFree Nussbaum\u201d. Con un solo de bater\u00eda al comienzo e improvisaciones <i>bop<\/i> en el resto.<\/p>\n<p style=\"text-align: justify;\">\u201cComo en Vietnam\u201d, es en\u00e9rgica, s\u00f3lida y rocosa. De cambios coloristas y magnifico solo del bajo de Vic Moliner que se pierde en el horizonte sonoro.<\/p>\n<p style=\"text-align: justify;\">Tras un minuto de solo de bater\u00eda, reminiscencias hacia el <i>jazz manouche<\/i> en \u201cLadies Waders\u201d en la persona del ecl\u00e9ctico Jaume Llombart, destacado tanto en primer como en segundo plano. Tres espacios en un mismo tema: bater\u00eda, guitarra y saxo tenor, o lo que es lo mismo Gonzalo Del Val, Jaume Llombart y V\u00edctor De Diego.<\/p>\n<p style=\"text-align: justify;\">\u201cBetter Times\u201d, tocada con elegancia y finura es otro desarrollo <i>bop<\/i> de precisas armon\u00edas f\u00e1ciles de retener en la memoria. Fluido V\u00edctor De Diego en el saxo, una vez m\u00e1s en el recuerdo Wes Montgomery y Django Reinhardt (Jaume Llombart).<\/p>\n<p style=\"text-align: justify;\">En resumidas cuentas, <i>The Music of Steve Swallow<\/i> supone un paso m\u00e1s en la evoluci\u00f3n de uno de los <i>jazzman<\/i> m\u00e1s interesantes del panorama nacional en los \u00faltimos a\u00f1os. Su m\u00fasica no pierde elegancia, sino que gana en solidez e imaginaci\u00f3n, adem\u00e1s de acierto en la elecci\u00f3n de consagrados instrumentistas que compactan cada uno de sus proyectos.<\/p>\n<p align=\"right\">\u00a9 Enrique Farelo, 2014<\/p>\n<p>Gonzalo Del Val Electric Quartet: <em>The Music of Steve Swallow<\/em><\/p>\n<p>Composiciones: \u201cComo en Vietnam\u201d, \u201cLadies Waders\u201d, \u201cBetter Times\u201d, \u201cWrong Together\u201d, \u201cMisery Loves Company\u201d, \u201cSecond Handy Motion\u201d, \u201cBite Your Grandmother\u201d, \u201cRemember\u201d, \u201cFree Nussbaum\u201d<\/p>\n<p>Todas las composiciones de Steve Swallow excepto \u201cFree Nussbaum\u201d que es una improvisaci\u00f3n colectiva.<\/p>\n<p>Componentes: V\u00edctor De Diego (saxos y flauta); Jaume Llombart (guitarras); Vic Moliner (bajo el\u00e9ctrico); Gonzalo Del Val (bateria y percusi\u00f3n) con la colaboraci\u00f3n de Miguel \u201cEl Cheyenne\u201d caj\u00f3n y palmas en \u201cMisery Loves Company\u201d y \u201cBite Your Grandmother\u201d.<\/p>\n<p>Grabado en los estudios 441 de Girona el 10 y 11 de mayo de 2013 y publicado por Quadrant producciones.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Gonzalo Del Val fragu\u00f3 este proyecto en Nueva York en el a\u00f1o 2009 a ra\u00edz de presenciar un concierto de su admirado Adam Nussbaum en el club Cornelia Street Caf\u00e9 que dem\u00e1s contaba con el bajista Steve Swallow. A partir de este instante la idea de realizar un disco con<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/gonzalo-del-val-electric-quartet-the-music-of-steve-swallow-quadrant-2014\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9969,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,1038],"tags":[12651,304,413,8139,12696,4981,13,12415,15295,8141,5400,2241,16099,77,16100,8140,547],"class_list":["entry","author-pachi","post-9968","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-contenidos","tag-cd","tag-enrique-farelo","tag-gonzalo-del-val","tag-gonzalo-del-val-electric-quartet","tag-grabaciones","tag-jaume-llombart","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-miguel-el-cheyenne","tag-quadrant","tag-steve-swallow","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-vic-moliner","tag-victor-de-diego"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Gonzalo-del-Val-Electric-Quartet-The-Music-Of-Steve-Swallow.gif","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":23493,"url":"https:\/\/tomajazz.com\/web\/hdo-gonzalo-del-val-sus-palabras-y-sus-musicas-entrevista-por-pachi-tapiz-0094-podcast\/","url_meta":{"origin":9968,"position":0},"title":"HDO: Gonzalo del Val, sus palabras y sus m\u00fasicas. Entrevista por Pachi Tapiz (0094) [Podcast]","author":"Tomajazz","date":"12 abril, 2016","format":false,"excerpt":"El baterista Gonzalo del Val ha publicado en el inicio del a\u00f1o 2016 su nueva grabaci\u00f3n en formato de tr\u00edo titulada Koin\u00e9 (Fresh Sound New Talent). De nuevo le acompa\u00f1an el pianista Marco Mezquida y el contrabajista David Mengual. Pachi Tapiz charl\u00f3 con el m\u00fasico de Miranda de Ebro acerca\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_9387.JPG-Gonzalo-del-ValWM-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_9387.JPG-Gonzalo-del-ValWM-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_9387.JPG-Gonzalo-del-ValWM-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":39658,"url":"https:\/\/tomajazz.com\/web\/gonzalo-del-val-con-dave-liebman-ronan-guilfoyle-standards-in-dublin-quadrant-records-2018-grabacion\/","url_meta":{"origin":9968,"position":1},"title":"Gonzalo del Val con Dave Liebman &#038; Ronan Guilfoyle: Standards in Dublin (Quadrant records 2018) [Grabaci\u00f3n]","author":"Tomajazz","date":"7 noviembre, 2018","format":false,"excerpt":"Por\u00a0Enrique Farelo. 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El bater\u00eda de Miranda de Ebro Gonzalo del Val aprovech\u00f3 la oportunidad que se le brind\u00f3 para tocar codo con codo con una leyenda viva del jazz como es Dave Liebman y aderezarlo con la\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Gonzalo-del-Val_Standards-In-Dublin-e1540852186171.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Gonzalo-del-Val_Standards-In-Dublin-e1540852186171.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/10\/Gonzalo-del-Val_Standards-In-Dublin-e1540852186171.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":50789,"url":"https:\/\/tomajazz.com\/web\/john-scofield-steve-swallow-bill-stewart-swallow-tales-ecm-records-2020\/","url_meta":{"origin":9968,"position":2},"title":"John Scofield &#8211; Steve Swallow &#8211; Bill Stewart: Swallow Tales (ECM Records, 2020)","author":"Tomajazz","date":"9 junio, 2020","format":false,"excerpt":"Enrique Farelo repasa Swallow Tales, la nueva grabaci\u00f3n de John Scofield que aparece publicada en ECM. 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Con Gary Burton, Eberhard Weber, Steve Swallow, Mick Goodrick, Pat Metheny, Bob Moses.","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/The-Gary-Burton-Quintet-with-Eberhard-Weber_ECM_1974-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8391,"url":"https:\/\/tomajazz.com\/web\/carla-bley-andy-sheppard-steve-swallow-trios-ecm-2013\/","url_meta":{"origin":9968,"position":4},"title":"Carla Bley &#8211; Andy Sheppard &#8211; Steve Swallow: Trios (ECM, 2013)","author":"Tomajazz","date":"11 octubre, 2013","format":false,"excerpt":"Escuchando Trios, el nuevo disco de Carla Bley (autora de todas las composiciones) a quien acompa\u00f1an sus viejos colegas Andy Sheppard y Steve Swallow no puedo evitar pensar en la rese\u00f1a que Yahv\u00e9 M. de la Cavada hizo en el n\u00famero 104 de la revista Cuadernos de Jazz all\u00e1 por\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Bley-Sheppard-Swallow-Trios.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2036,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-home-steve-swallow-1979\/","url_meta":{"origin":9968,"position":5},"title":"Tomajazz recomienda&#8230; un CD: Home (Steve Swallow, 1979)","author":"Adolphus van Tenzing","date":"12 diciembre, 2011","format":false,"excerpt":"\"She was young, she was old, she was small. She was tall with extraordinary grace. Her face was all distance, her eyes the depth of all one had thought of, again and again and again\". La emoci\u00f3n arropa esas palabras en boca de Sheila Jordan, apenas cinco minutos despu\u00e9s de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Home_(Steve_Swallow_album)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/12\/Home_Steve_Swallow_album.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=9968"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9968\/revisions"}],"predecessor-version":[{"id":9970,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/9968\/revisions\/9970"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/9969"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=9968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=9968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=9968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}